Bertagnolli Prometheus in Music 9781138264977

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Автор: Bertagnolli
Название: Prometheus in Music
ISBN: 9781138264977
Издательство: Taylor&Francis
Классификация:

Музыка

Западная "классическая" музыка

Классическая музыка (с 1750 до 1830)

ISBN-10: 1138264970
Обложка/Формат: Paperback
Страницы: 388
Вес: 0.72 кг.
Дата издания: 15.11.2016
Язык: English
Размер: 234 x 156 x 20
Читательская аудитория: General (us: trade)
Ключевые слова: Classical music (c 1750 to c 1830), MUSIC / General
Основная тема: Classical Music (1750-1830)
Подзаголовок: Representations of the Myth in the Romantic Era
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-Helene, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Halevy, Saint-SaA«ns, Holmes, Faure, Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a naA?ve, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to

Prometheus in Music, Bertagnolli