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Embodied Knowledge in Ensemble Performance, Mccaleb


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Цена: 51030.00T
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Склад Америка: 201 шт.  
При оформлении заказа до: 2025-12-15
Ориентировочная дата поставки: Январь
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Автор: Mccaleb
Название:  Embodied Knowledge in Ensemble Performance
ISBN: 9781138269767
Издательство: Taylor&Francis
Классификация:
ISBN-10: 113826976X
Обложка/Формат: Paperback
Страницы: 160
Вес: 0.27 кг.
Дата издания: 19.10.2016
Серия: Sempre studies in the psychology of music
Язык: English
Размер: 157 x 234 x 13
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Music, MUSIC / Musical Instruments / General
Основная тема: Music
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Performing in musical ensembles provides a remarkable opportunity for interaction between people. When playing a piece of music together, musicians contribute to the creation of an artistic work that is shaped through their individual performances. However, even though ensembles are a large part of musical activity, questions remain as to how they function. In Embodied Knowledge in Ensemble Performance, Murphy McCaleb explores the processes by which musicians interact with each other through performance. McCaleb begins by breaking down current models of ensemble interaction, particularly those that rely on the same kind of communication found in conversation. In order to find a new way of describing this interaction, McCaleb considers the nature of the information being shared between musicians during performance. Using examples from postgraduate ensembles at Birmingham Conservatoire as well as his own reflective practice, he examines how an understanding of the relationship between musicians and their instruments may affect the way performers infer information within an ensemble. Drawing upon research from musicology, occupational psychology, and philosophy, and including downloadable resources of excerpts from rehearsals and performances, Embodied Knowledge provides an holistic approach to ensemble research in a manner accessible to performers, researchers and teachers.

Duke Ellington Studies

Автор: Howland John
Название: Duke Ellington Studies
ISBN: 1108792537 ISBN-13(EAN): 9781108792530
Издательство: Cambridge Academ
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Цена: 33790.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the rich and influential career of one of jazz music`s central figures, from his work as a composer to his cultural legacy in jazz, popular music and modern media. Leading authors offer clear, engaging, and scholarly insights into Duke Ellington`s work and critical reception, from musical, historical, and international perspectives.

Embodied cognition, acting and performance

Название: Embodied cognition, acting and performance
ISBN: 036789307X ISBN-13(EAN): 9780367893071
Издательство: Taylor&Francis
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Цена: 44910.00 T
Наличие на складе: Невозможна поставка.
Описание: In this collection of essays, the four branches of radical cognitive science will dialogue with performance, with particular focus on post-cognitivist approaches to understanding the embodied mind-in-society. The essays originally published as a special issue in Connection Science.

Embodied Acting: What Neuroscience Tells Us About Performance

Автор: Rick Kemp
Название: Embodied Acting: What Neuroscience Tells Us About Performance
ISBN: 0415507871 ISBN-13(EAN): 9780415507875
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание:

'A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor's body.' - from the Introduction 

Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the "bodymind" can have on the acting process.

Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including:

  • non-verbal communication
  • the relationship between thought, speech, and gesture
  • the relationship between self and character
  • empathy, imagination, and emotion.

New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq - as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell - are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role.



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