Автор: Grant, Adrian Название: Michael Jackson : Making HIStory ISBN: 0711967237 ISBN-13(EAN): 9780711967236 Издательство: Omnibus Press Рейтинг: Цена: 6150.00 T Наличие на складе: Нет в наличии. Описание: This picture book features photographs of Michael Jackson`s world tour, and contains a report on the opening shows which hit Wembley in July 1997 and continued in Europe. A colour poster is also included.
Making Your Memories with Rock & Roll and Doo-Wop: The Music and Artists of the 1950s and Early 1960s digs back through the catalogue of popular music and brings to life the solo artists, duos, and groups whose music once filled the airwaves and turntables with rock & roll and doo-wop. The Doctor of Doo-Wop, J.C. De Ladurantey, brings his expertise, honed by hosting a weekly radio show, "Making Your Memories," to his revelation of the backstories of these trendsetting artists.
Until the British Invasion in mid 1963 changed the direction of American music, the sounds created by the artists profiled in Making Your Memories with Rock & Roll and Doo-Wop shaped the entertainment soundtrack of a generation. This music history shares the little-known details of the lives of these artists, the history of the period, the distinctiveness of the music, and the power and influence of the songs' lyrics.
Making Your Memories with Rock & Roll and Doo-Wop: The Music and Artists of the 1950s and Early 1960s will leave echoes of the time's memorable songs in your mind's ear and their lyrics on the tip of your tongue. You'll discover a fresh desire to find the recordings and give them another "spin" on your "record player," even if your digital music lives in the cloud.
Название: Making congregational music local in christian communities worldwide ISBN: 1138307653 ISBN-13(EAN): 9781138307650 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores the ways that congregational music-making is integral to how communities around the world understand what it means to be `local` and `Christian`. It contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
Автор: Webster-Kogen Ilana Название: Citizen Azmari: Making Ethiopian Music in Tel Aviv ISBN: 0819578339 ISBN-13(EAN): 9780819578334 Издательство: Marston Book Services Рейтинг: Цена: 33000.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An examination of popular Ethiopian music styles in Tel Aviv
Автор: James, Eric (Author), Vance, Jeffrey (Author) Название: Making Music with Charlie Chaplin: An Autobiography ( Scarecrow Filmmakers ) ISBN: 0810837412 ISBN-13(EAN): 9780810837416 Издательство: NBN International Рейтинг: Цена: 80250.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Providing more than just another musical profile, James details everything from his first encounter with Chaplin to his frequent visits to Switzerland when he lived at Chaplin`s Manoir de Ban in Vevey.
Автор: Pete Dale Название: Popular Music and the Politics of Novelty ISBN: 1501307037 ISBN-13(EAN): 9781501307034 Издательство: Bloomsbury Academic Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?
Автор: Pete Dale Название: Popular Music and the Politics of Novelty ISBN: 1501307045 ISBN-13(EAN): 9781501307041 Издательство: Bloomsbury Academic Рейтинг: Цена: 147840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?
Автор: Siamdoust Nahid, Seyedsayamdost Nahid Название: Soundtrack of the Revolution: The Politics of Music in Iran ISBN: 1503600327 ISBN-13(EAN): 9781503600324 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 26750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic.
Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians--a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper--each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran--about its future and identity, changing notions of religious belief, and the quest for political freedom.
Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.
Автор: Siamdoust Nahid Название: Soundtrack of the Revolution: The Politics of Music in Iran ISBN: 0804792895 ISBN-13(EAN): 9780804792899 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 108680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic.
Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians--a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper--each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran--about its future and identity, changing notions of religious belief, and the quest for political freedom.
Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.
Автор: Horowitz Amy Название: Mediterranean Israeli Music and the Politics of the Aesthetic [With CD (Audio)] ISBN: 0814334652 ISBN-13(EAN): 9780814334652 Издательство: Mare Nostrum (Eurospan) Цена: 27580.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in the late 20th century. This title focuses on the work of three artists - Avihu Medina, Zohar Argov, and Zehava Ben - who pioneered a recognizable Mizrahi style and moved this musical formation from the Mizrahi neighborhoods to the national arena.
Автор: Robinson Название: Music Festivals and the Politics of Participation ISBN: 1409457761 ISBN-13(EAN): 9781409457763 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? What has led to this change? In her richly detailed study, industry insider Dr Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry. Setting the scene as a fragmented, yet highly competitive market, Music Festivals and the Politics of Participation examines the emergence of key trends with a focus on surrealist production and popular theatricality. For the first time, the transatlantic relationship between British promoters and the social experiment-come-festival Burning Man is documented, uncovering its role in promoting a politics of participation that has dramatically altered the festival experience. Taking an in-depth approach to examining key events, including the fastest growing independent music festival in recent years (Hampshire’s BoomTown Fair) the UK market is shown to have produced a scene that champions co-production and the democratization of festival space. This is a vital text for anyone interested in British culture.
Автор: Mcleod Название: We are the Champions: The Politics of Sports and Popular Music ISBN: 1138256803 ISBN-13(EAN): 9781138256804 Издательство: Taylor&Francis Рейтинг: Цена: 57150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.
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