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Baroque Piety: Religion, Society, and Music in Leipzig, 1650–1750, Kevorkian


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Автор: Kevorkian
Название:  Baroque Piety: Religion, Society, and Music in Leipzig, 1650–1750
ISBN: 9781138269606
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138269603
Обложка/Формат: Paperback
Страницы: 266
Вес: 0.50 кг.
Дата издания: 09.09.2016
Язык: English
Размер: 157 x 233 x 27
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Baroque music (c 1600 to c 1750), MUSIC / General
Основная тема: Baroque Music (1600-1750)
Подзаголовок: Religion, society, and music in leipzig, 1650-1750
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bachs time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both ordinary people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.

Johann joseph fux and the music of the austro-italian baroque

Название: Johann joseph fux and the music of the austro-italian baroque
ISBN: 1138260495 ISBN-13(EAN): 9781138260498
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: Johann Joseph Fux`s reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West.

Baroque Music: Music in Western Europe, 1580-1750 (The Norton Introduction to Music History) (Hardcover)

Название: Baroque Music: Music in Western Europe, 1580-1750 (The Norton Introduction to Music History) (Hardcover)
ISBN: 0393978001 ISBN-13(EAN): 9780393978001
Издательство: Wiley
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Цена: 50690.00 T
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Описание: John Walter Hill`s highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750.

Italian High Renaissance and Baroque Sculpture

Название: Italian High Renaissance and Baroque Sculpture
ISBN: 0714838837 ISBN-13(EAN): 9780714838830
Издательство: Phaidon Press Ltd.
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Цена: 42190.00 T
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Описание: For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: Michelangelo and Bernini. Michelangelo forged a new and ideal style, the development of which is traced in the work of Andrea and Jacopo Sansovino, Benvenuto Cellini, Giambologna, Pietro Tacca, Leone Leoni, Alessandro Vittoria and others. The author also describes the artistic problems presented by the statue, relief, portrait, tomb and fountain in the 16th century, culminating in the dramatic innovations of Bernini which ushered in the Baroque style. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.

A Woman`s Voice in Baroque Music: Mariane von Ziegler and J.S. Bach

Автор: Peters
Название: A Woman`s Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
ISBN: 1138254061 ISBN-13(EAN): 9781138254060
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.

The Stylus Phantasticus and Free Keyboard Music of the North German Baroque

Автор: Collins
Название: The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
ISBN: 1138273198 ISBN-13(EAN): 9781138273191
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: The concept of stylus phantasticus (or ’fantastic style’) as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher’s original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.

Anthology of baroque music

Автор: Hall, John Walter
Название: Anthology of baroque music
ISBN: 039397801X ISBN-13(EAN): 9780393978018
Издательство: Wiley
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Цена: 67590.00 T
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Описание: The Anthology of Baroque Music contains 130 carefully selected scores for the compositions highlighted in Baroque Music.

Jean-Baptiste Lully and the Music of the French Baroque

Автор: Heyer
Название: Jean-Baptiste Lully and the Music of the French Baroque
ISBN: 0521081963 ISBN-13(EAN): 9780521081962
Издательство: Cambridge Academ
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Цена: 44350.00 T
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Описание: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.

Music of the Baroque

Автор: Schulenberg, David
Название: Music of the Baroque
ISBN: 0199942013 ISBN-13(EAN): 9780199942015
Издательство: Oxford Academ
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Цена: 151000.00 T
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Описание: This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music.

Timpani Tone and the Interpretation of Baroque and Classicaltimpani Tone and the Interpretation of Baroque and Classical Music Music

Автор: Schweizer Steven L.
Название: Timpani Tone and the Interpretation of Baroque and Classicaltimpani Tone and the Interpretation of Baroque and Classical Music Music
ISBN: 0195395557 ISBN-13(EAN): 9780195395556
Издательство: Oxford Academ
Цена: 99270.00 T
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Описание: In Timpani Tone and the Interpretation of Baroque and Classical Music, Steven L. Schweizer draws on 31 years of musical experience to explore the components of timpani tone and methods for producing it. Schweizer takes the reader on an odyssey through the interpretation of Bach, Handel, Haydn, and Mozart`s symphonic and choral music.

History of baroque music

Автор: Buelow, George J.
Название: History of baroque music
ISBN: 0253343658 ISBN-13(EAN): 9780253343659
Издательство: Wiley EDC
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Цена: 70930.00 T
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Описание: A History of Baroque Music is an exhaustive study of the music of the Baroque period, with particular focus on the 17th century. Individual chapters consider the work of significant composers, including Monteverdi, Corelli, Scarlatti, Sch?tz, Purcell, Handel, Bach, and Telemann, as well as specific countries and regions. Two contributed chapters examine composers and genres from Russia, the Ukraine, Slovenia, Croatia, and Latin America. The book also includes a wealth and variety of musical examples from all genres and instrumental combinations.
Contributors are Claudia Jensen, Metoda Kokole, Rui Vieira Nery, and Ennio Stipcevic.

Style and Performance for Bowed String Instruments in French Baroque Music

Автор: Cyr
Название: Style and Performance for Bowed String Instruments in French Baroque Music
ISBN: 1138248371 ISBN-13(EAN): 9781138248373
Издательство: Taylor&Francis
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Цена: 54090.00 T
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Описание: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period from 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France.


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