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The Concept of Deity, James


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Автор: James
Название:  The Concept of Deity
ISBN: 9781138194564
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138194565
Обложка/Формат: Hardback
Страницы: 202
Вес: 0.44 кг.
Дата издания: 23.02.2016
Серия: Routledge library editions: anthropology of religion
Язык: English
Размер: 234 x 160 x 18
Читательская аудитория: Undergraduate
Ключевые слова: Anthropology, RELIGION / General
Основная тема: Religion & Anthropology
Подзаголовок: A Comparative and Historical Study. The Wilde Lectures in Natural and Comparative Religion in the University of Oxford
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание:

For good or ill, most, if not all, of the great institutions which have formed the framework of society have had their roots in the idea of Deity as a beneficent providential order of transcendental reality. In being handed down through countless generations the beliefs, concepts and customs have assumed a great variety of new outward forms in the process of transmission and development. To determine their true meaning and function as a cohesive force and as an expression of ultimate reality, the comparative and historical methods can be employed with considerable advantage. This book, first published in 1950, provides a valuable comparative study of religion.



The Concept of the Public Realm

Название: The Concept of the Public Realm
ISBN: 0415851017 ISBN-13(EAN): 9780415851015
Издательство: Taylor&Francis
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Цена: 46950.00 T
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In its political form, the existence of a public realm is the basis of a shared relationship between rulers and ruled which makes politics more than mere power or domination. How to construct and maintain a public realm in the political sphere is, however, a matter of especial dispute at the present day, due partly to the increasing difficulty of making the distinction between public and private spheres which has been the basis of Western liberal democracy; partly to the tendency of public concerns to be identified with economic interests, which transforms citizens into consumers; partly to pressure for the acknowledgement of diversity of every kind, which creates the danger of fragmenting the public realm; and partly to globalization processes which have undermined the traditional identification of the public realm with national political institutions. Globalization has, in addition, raised the question of whether there can be a supra-national public realm and, more generally, of what form it is likely to assume in non-Western cultures. These are amongst the fundamental contemporary issues addressed by contributors to the present volume.

This book was published as a special issue of the Critical Review of International, Social and Political Philosophy.


Force: A Fundamental Concept of Aesthetic Anthropology

Автор: Christoph Menke
Название: Force: A Fundamental Concept of Aesthetic Anthropology
ISBN: 0823249727 ISBN-13(EAN): 9780823249725
Издательство: Wiley EDC
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Цена: 83510.00 T
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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy.
More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility.
Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices.
That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization.
The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”


Aesthetics of Religion: A Connective Concept

Автор: Alexandra K. Grieser, Jay Johnston
Название: Aesthetics of Religion: A Connective Concept
ISBN: 3110458756 ISBN-13(EAN): 9783110458756
Издательство: Walter de Gruyter
Цена: 123910.00 T
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This volume is the first English language presentation of the innovative approaches developed in the aesthetics of religion. The chapters present diverse material and detailed analysis on descriptive, methodological and theoretical concepts that together explore the potential of an aesthetic approach for investigating religion as a sensory and mediated practice. In dialogue with, yet different from, other major movements in the field (material culture, anthropology of the senses, for instance), it is the specific intent of this approach to create a framework for understanding the interplay between sensory, cognitive and socio-cultural aspects of world-construction. The volume demonstrates that aesthetics, as a theory of sensory knowledge, offers an elaborate repertoire of concepts that can help to understand religious traditions. These approaches take into account contemporary developments in scientific theories of perception, neuro-aesthetics and cultural studies, highlighting the socio-cultural and political context informing how humans perceive themselves and the world around them. Developing since the 1990s, the aesthetic approach has responded to debates in the study of religion, in particular striving to overcome biased categories that confined religion either to texts and abstract beliefs, or to an indisputable sui generis mode of experience. This volume documents what has been achieved to date, its significance for the study of religion and for interdisciplinary scholarship.


The Concept of Action

Автор: N. J. Enfield, Jack Sidnell
Название: The Concept of Action
ISBN: 0521895286 ISBN-13(EAN): 9780521895286
Издательство: Cambridge Academ
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Цена: 104550.00 T
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Описание: Language is key to understanding human social action. This book questions long-held and widely accepted views of how social action works, and argues for a new theory of social action based on close observation of language in social interaction across cultures. It is ideal reading for anthropologists and linguists alike.

Globalization: The Career of a Concept

Название: Globalization: The Career of a Concept
ISBN: 113805755X ISBN-13(EAN): 9781138057555
Издательство: Taylor&Francis
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Цена: 51030.00 T
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One of the keywords of our time, 'globalization' frames how we understand our interconnected world. An ambiguous signifier carrying multiple meanings, the term is usually used to refer to the extension and intensification of social relations across the world. Many works have been authored that deal with various aspects of globalization. However, it is surprising that no critical history of the concept has yet provided a historical mapping of its conceptual origins, evolution, and genealogical lineages.

This book investigates the meaning formation of 'globalization' by featuring interviews with twelve prominent academic pioneers of the new trans-disciplinary field of Global Studies, who were central in forging the 'career 'of the concept of 'globalization'. Together with an introductory chapter, these interviews clarify how and why a previously obscure scholarly concept suddenly exploded in the public discourse of the 1990s. In particular, the interviews trace the processes by which economistic discourses of free market economics became the basis for the influential association of the meaning of 'globalization' with the dominant neoliberal framework of the 21st century.

This book was originally published as a special issue of Globalizations.


Concept of action

Автор: Enfield, N. J. (university Of Sydney) Sidnell, Jack (university Of Toronto)
Название: Concept of action
ISBN: 0521719658 ISBN-13(EAN): 9780521719650
Издательство: Cambridge Academ
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Цена: 27450.00 T
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Описание: Language is key to understanding human social action. This book questions long-held and widely accepted views of how social action works, and argues for a new theory of social action based on close observation of language in social interaction across cultures. It is ideal reading for anthropologists and linguists alike.

History, Evolution and the Concept of Culture

Автор: Mintz
Название: History, Evolution and the Concept of Culture
ISBN: 0521277361 ISBN-13(EAN): 9780521277365
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: This representative selection of Lesser`s work is designed to make the range of his writings accessible to a broad audience. His work is of particular interest to present-day readers for its advocacy of an historical-evolutionary perspective in anthropology.

Concept of Modernism

Автор: Eysteinsson Astradur
Название: Concept of Modernism
ISBN: 0801480779 ISBN-13(EAN): 9780801480775
Издательство: Wiley EDC
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Цена: 30870.00 T
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Описание:

The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism.

Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture.

Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.


Crime, Madness and Politics in Modern France: The Medical Concept of National Decline

Автор: Nye Robert A.
Название: Crime, Madness and Politics in Modern France: The Medical Concept of National Decline
ISBN: 0691612617 ISBN-13(EAN): 9780691612614
Издательство: Wiley
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Цена: 58080.00 T
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Описание: Robert A. Nye places in historical context a medical concept of deviance that developed in France in the last half of the nineteenth century, when medical models of cultural crisis linked thinking about crime, mental illness, prostitution, alcoholism, suicide, and other pathologies to French national decline. Originally published in 1984. The Pri


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