Автор: Van Den Beuken Ruud Название: Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 ISBN: 0815636253 ISBN-13(EAN): 9780815636250 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 62700.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In 1928, Hilton Edwards and Miche?l mac Liamm?ir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Автор: Pilnэ Ondřej, Van Den Beuken Ruud, Walsh Ian R. Название: Cultural Convergence: The Dublin Gate Theatre, 1928-1960 ISBN: 3030575640 ISBN-13(EAN): 9783030575649 Издательство: Springer Рейтинг: Цена: 37260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est.
Автор: Corporaal Marguerite Название: A Stage of Emancipation: Change and Progress at the Dublin Gate Theatre ISBN: 1800856105 ISBN-13(EAN): 9781800856103 Издательство: Sage Publications Цена: 84280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Michйal mac Liammуir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguйrite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan
Автор: Nicholas Grene, Patrick Lonergran Название: Interactions: Dublin Theatre Festival 1957-2007 ISBN: 1788749030 ISBN-13(EAN): 9781788749039 Издательство: Peter Lang Рейтинг: Цена: 31760.00 T Наличие на складе: Невозможна поставка. Описание:
For over fifty years, the Dublin Theatre Festival has been one of Ireland’s most important cultural events, bringing countless events, bringing countless new Irish plays to the world stage, while introducing Irish audiences to the most important international theatre companies and artists. With contributions from leading scholars and practitioners, Interactions explores and celebrates the Festival’s achievements since 1957 featuring essays on major Irish writers, directors and theatre companies, as well as the impact of visiting directors and companies from abroad. This book includes specially commissioned memoirs from past organizers and observers of the Festival, offering a unique perspective on the controversies and successes that have marked the event’s history. An especially valuable feature of the volume, also, is a complete listing the shows that have appeared at the Festival from 1957 to 2008.
Contributors: Lewis Clohessy, Tanya Dean, Ros Dixon, Christopher Fitz-Simon, Lisa Fitzpatrick, David Grant, John P. Harrington, Sara Keating, Thomas Kilroy, Peter Kuch, Cathy Leeney, Fergus Linehan, Tony ? D?laigh, Fintan O‘Toole, Lionel Pilkington, Emilie Pine, Alexandra Poulain, Shaun Richards, Carmen Szab?. With a preface by Loughlin Deegan.
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