A Statement of the Penal Laws Which Aggrieve the Catholics of Ireland: With Commentaries., Scully Denys
Автор: Ottolenghi, Yotam, Scully, Ramael Название: NOPI Cookbook, The ISBN: 0091957168 ISBN-13(EAN): 9780091957162 Издательство: Random House - Penguin Рейтинг: Цена: 30800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: There are dishes that long-time Ottolenghi fans will be familiar with - a starter of aubergine with black garlic, for example, or the roasted squash with sweet tomatoes - as well as many dishes which will stretch the home cook as they produce some of the restaurant`s signature dishes at home, such as Beef brisket croquettes or Persian love rice.
Автор: Wortman Denys Название: Denys Wortman`s New York: Portrait of the City in the 30s and 40s ISBN: 1770460136 ISBN-13(EAN): 9781770460133 Издательство: Macmillan USA/Holtzbrink(MPS) Рейтинг: Цена: 18360.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
A rescued archive of vintage New York City from a forgotten ash can artist After cartoonist, educator, and editor James Sturm discovered the vintage book "Mopey Dick and the Duke," he set off to find out more about the author, the deceased and unknown cartoonist Denys Wortman. Sturm immediately took note of the masterful drawings—casual, confident, and brimming with personality—and wondered how this cartoonist escaped his radar. After some online sleuthing, Sturm connected with Wortman’s son, who relayed that an archive of more than five thousand illustrations was literally sitting in his shed in dire need of rescuing. For more than thirty-five years, the illustrations had been fighting such elements as hungry rodents, rusty paper clips, and even a blizzard. Wortman’s son also had drawers full of his father’s correspondence, including letters and holiday cards from William Steig and Walt Disney. Original artwork by artists and personal friends—including Peggy Bacon, Milt Gross, Isabel Bishop, and Reginald Marsh—were also saved. The fact that Wortman’s luminary peers held him in the highest regard, coupled with his artistic prowess, makes his absence from both fine art and comics history puzzling. So Sturm and Brandon Elston set out to create a beautiful tribute to the forgotten master. "Denys Wortman’s New York" is not only a tribute to Wortman; it is a tribute to New York, the city that sparked Wortman’s voracious creative output. From coal cellars to rooftops, from opera houses to boardinghouses, Wortman recorded the sailors, dishwashers, con artists, entertainers, pushcart peddlers, construction workers, musicians, hoboes, society matrons, young mothers, secretaries, and students who collectively made the city what it was and is today.
In recent years, there has been an upsurge in interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out."
In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.
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