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Robin Wood on the Horror Film, Wood Robin


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Автор: Wood Robin
Название:  Robin Wood on the Horror Film
ISBN: 9780814345238
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0814345239
Обложка/Формат: Paperback
Страницы: 432
Вес: 0.70 кг.
Дата издания: 30.07.2018
Серия: Contemporary approaches to film and media studies
Язык: English
Иллюстрации: 62 black & white images
Размер: 226 x 159 x 24
Ключевые слова: Film theory & criticism
Подзаголовок: Collected essays and reviews
Рейтинг:
Поставляется из: Англии
Описание: Robin Wood’s writing on the horror film, published over five decades, collected in one volume.Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques.In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film - the first serious collection of critical writing on the horror genre. Robin Wood onthe Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, Psychoanalysis of Psycho, which appeared in1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, What Lies Beneath?, written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genres renaissance in the 1970s. Woods prose iseloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology.Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genres meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.
Дополнительное описание: Film history, theory or criticism


Horror Cinema (Bibliotheca Universalis)

Название: Horror Cinema (Bibliotheca Universalis)
ISBN: 3836561859 ISBN-13(EAN): 9783836561853
Издательство: Taschen
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Цена: 17710.00 T
Наличие на складе: Ожидается поступление.
Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.

Robin Wood on the Horror Film: Collected Essays and Reviews

Автор: Robin Wood
Название: Robin Wood on the Horror Film: Collected Essays and Reviews
ISBN: 0814345255 ISBN-13(EAN): 9780814345252
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 69380.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Robin Wood’s writing on the horror film, published over five decades, collected in one volume.Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques.In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film - the first serious collection of critical writing on the horror genre. Robin Wood onthe Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, ""Psychoanalysis of Psycho,"" which appeared in1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, ""What Lies Beneath?"", written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose iseloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology.Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.

Monstrous Nature: Environment and Horror on the Big Screen

Автор: Murray Robin L., Heumann Joseph K.
Название: Monstrous Nature: Environment and Horror on the Big Screen
ISBN: 0803285698 ISBN-13(EAN): 9780803285699
Издательство: Mare Nostrum (Eurospan)
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Цена: 41800.00 T
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Описание: Godzilla, a traditional natural monster and representation of cinema's subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world-monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster-anthropomorphism, human ecology, evolution, and gendered landscapes-the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous. Robin L. Murray is a professor of English at Eastern Illinois University. Joseph K. Heumann is professor emeritus from the Department of Communication Studies at Eastern Illinois University. Murray and Heumann are coauthors of That's All Folks?: Ecocritical Readings of American Animated Features (Nebraska, 2011) and Film and Everyday Eco-disasters (Nebraska, 2014).

The Apu Trilogy: New Edition

Автор: Wood Robin
Название: The Apu Trilogy: New Edition
ISBN: 0814332773 ISBN-13(EAN): 9780814332771
Издательство: Mare Nostrum (Eurospan)
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Цена: 26750.00 T
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Описание: The Apu Trilogy is the fourth directorial monograph written by influential film critic Robin Wood and republished for a contemporary audience. Focusing on the famed trilogy from Indian director Satyajit Ray, Wood persuasively demonstrates his ability at detailed textual analysis, providing an impressively sustained reading that elucidates the complex view of life in the trilogy. Wood was one of our most insightful and committed film critics, championing films that explore the human condition. His analysis of The Apu Trilogy reveals and illuminates the films’ profoundly humanistic qualities with clarity and rigor, plumbing the psychological and emotional resonances that arise from Ray’s delicate balance of performance, camerawork, and visual design. Wood was the first English language critic to write substantively about Ray’s films, which made the original publication of his monograph on The Apu Trilogy unprecedented as well as impressive. Of late there has been a renewed interest in North America in the work of Satyajit Ray, yet no other critic has come close to equaling the scope and depth of Wood’s analysis.In his introduction, originally published in 1971, Wood says Ray’s work was met with indifference. In response, he offers possible reasons why this occurred, including social and cultural differences and the films’ slow pacing, which contemporary critics tended to associate with classical cinema. Wood notes Ray’s admiration for Western film culture, including the Hollywood cinema and European directors, particularly Jean Renoir and his realist films. Assigning a chapter to each Pather Panchali (1955), Aparajito (1957) and The World of Apu (1959), Wood goes on to explore each film more thoroughly. One of the aspects of this book that is particularly rewarding is Wood’s analytical approach to the trilogy as a whole, as well as detailed attention given to each of the three films. The book, with a new preface by Richard Lippe and foreword by Barry Keith Grant, functions as a masterclass on what constitutes an in-depth reading of a work and the use of critical tools that are relevant to such a task.Robin Wood’s The Apu Trilogy offers an excellent account of evaluative criticism that will appeal to film scholars and students alike.

The Art of the Horror Film Press Advert: Alurane to Alien

Автор: Sutton Paul
Название: The Art of the Horror Film Press Advert: Alurane to Alien
ISBN: 1999723139 ISBN-13(EAN): 9781999723132
Издательство: Неизвестно
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Цена: 14710.00 T
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Lost in the Dark: A World History of Horror Film

Автор: Brad Weismann
Название: Lost in the Dark: A World History of Horror Film
ISBN: 149683321X ISBN-13(EAN): 9781496833211
Издательство: Mare Nostrum (Eurospan)
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Цена: 20900.00 T
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Описание: Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them-The Shape of Water-won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a comprehensive entry-level reference work. The volume provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. Starting with silent-era horror films and ending with 2020's The Invisible Man, Lost in the Dark looks at decades of horror movies. Author Brad Weismann covers such topics as the roots of horror in literature and art, monster movies, B-movies, the destruction of the American censorship system, international horror, torture porn, zombies, horror comedies, horror in the new millennium, and critical reception of modern horror. A sweeping survey that doesn't scrimp on details, Lost in the Dark is sure to satisfy both the curious and the completist.

Euro Horror: Classic European Horror Cinema in Contemporary American Culture

Автор: Olney Ian
Название: Euro Horror: Classic European Horror Cinema in Contemporary American Culture
ISBN: 025300652X ISBN-13(EAN): 9780253006523
Издательство: Wiley EDC
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Цена: 24010.00 T
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Описание: Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.

Making and remaking horror in the 1970s and 2000s :

Автор: Roche, David,
Название: Making and remaking horror in the 1970s and 2000s :
ISBN: 1617039624 ISBN-13(EAN): 9781617039621
Издательство: Marston Book Services
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Цена: 116160.00 T
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Описание: Author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more "disturbing", and thus better than the remakes. Moving far beyond the genre itself, Making and Remaking Horror studies the redux as a form of adaptation and enables a more complete discussion of the evolution of horror in contemporary American cinema.

Screening Twilight

Автор: Clayton Wickham
Название: Screening Twilight
ISBN: 1780766661 ISBN-13(EAN): 9781780766669
Издательство: Bloomsbury Academic
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Цена: 27450.00 T
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Описание: Screening Twilight unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages.

Hearths of Darkness: The Family in the American Horror Film, Updated Edition

Автор: Williams Tony
Название: Hearths of Darkness: The Family in the American Horror Film, Updated Edition
ISBN: 1628461071 ISBN-13(EAN): 9781628461077
Издательство: Mare Nostrum (Eurospan)
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Цена: 33440.00 T
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Описание: Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It's Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.

The Highway Horror Film

Автор: Murphy
Название: The Highway Horror Film
ISBN: 1137391197 ISBN-13(EAN): 9781137391193
Издательство: Springer
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Цена: 55890.00 T
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Описание: The Highway Horror Film argues that `Highway Horror` is a hither-to overlooked sub-genre of the American horror movie. In these films, the American landscape is by its very accessibility rendered terrifyingly hostile, and encounters with other travellers almost always have sinister outcomes.

A Critical Guide to Horror Film Series

Автор: Hanke Ken
Название: A Critical Guide to Horror Film Series
ISBN: 1138965421 ISBN-13(EAN): 9781138965423
Издательство: Taylor&Francis
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Цена: 47970.00 T
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Описание: In this book the author takes a fresh look at horror film series as series and presents an understanding of how the genre thrived in this format for a large portion of its history. It sheds light on older films such as the Universal and the Hammer series films on Dracula, Frankenstein and the Mummy as well as putting more recent series into perspective, such as The Nightmare on Elm Street films. A well rounded review of these films and investigation into their success as a format, this useful volume, originally published in 1991, offers an attempt to understand the marriage of horror and the series film, with its pluses as well as minuses.


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