Автор: Lehner Mark, Hawass Zahi A. Название: Giza and the Pyramids ISBN: 022642569X ISBN-13(EAN): 9780226425696 Издательство: Wiley Цена: 111730.00 T Наличие на складе: Нет в наличии. Описание: The pyramids of Giza have stood for more than four thousand years, fascinating generations around the world. We think of the pyramids as mysteries, but the stones, hieroglyphs, landscape, and even layers of sand and debris around them hold stories. In Giza and the PyramidsThe Definitive History, two of the world's most eminent Egyptologists, Mark Lehner and Zahi Hawass, provide their unique insights based on more than four decades of excavating and studying the site.
The celebrated Great Pyramid of Khufu, or Cheops, is the only one of the seven wonders of the ancient world still standing, but there is much more to Giza. Though we imagine the pyramids of Khufu, Khafre, and Menkaure and the Sphinx rising from the desert, isolated and enigmatic, they were once surrounded by temples, noble tombs, vast cemeteries, and even harbors and teeming towns. This unparalleled account describes that past life in vibrant detail, along with the history of exploration, the religious and social function of the pyramids, how the pyramids were built, and the story of Giza before and after the Old Kingdom. Hundreds of illustrations, including vivid photographs of the monuments, excavations, and objects, as well as plans, reconstructions, and images from remote-controlled cameras and laser scans, help bring these monuments to life.
Through the ages, Giza and the pyramids have inspired extraordinary speculations and wild theories, but here, in this definitive account, is the in-depth story as told by the evidence on the ground and by the leading authorities on the site.
Автор: Christoph Lehner Название: Depicting Dante in Anglo-Italian Literary and Visual Arts ISBN: 1443899356 ISBN-13(EAN): 9781443899352 Издательство: Cambridge Scholars Цена: 44770.00 T Наличие на складе: Невозможна поставка. Описание: In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world’s cultural memory. This book examines key stages of Dante’s appropriation in Western cultural history by exploring the intermedial relationship between Dante’s Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T. S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T. S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world.The main focus of this study, therefore, is on how Dante’s image was fixed in the first 200 years of his appropriation in Florence, how fruitfully the Dantean images and his text have been taken up and used for creative and intellectual production in Britain over the course of the past centuries, and what moral, literary, or political messages they continue to convey.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
