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Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950, Anderton Abby


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Автор: Anderton Abby
Название:  Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950
ISBN: 9780253042415
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0253042410
Обложка/Формат: Hardback
Страницы: 194
Вес: 0.44 кг.
Дата издания: 23.07.2019
Язык: English
Иллюстрации: 7 printed music items; 20 illustrations, black and white
Размер: 159 x 237 x 12
Ключевые слова: 20th century & contemporary classical music, HISTORY / Europe / Germany,MUSIC / History & Criticism
Подзаголовок: Occupying the ruins of postwar berlin, 1945вђ“1950
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Поставляется из: Англии
Описание: As the seat of Hitlers government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the wars end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Дополнительное описание: Acknowledgments
Introduction
1. Berlin Soundscapes of Defeat and Occupation
2. Occupied Music: The Berlin Philharmonic and the American Military
3. Rubble Opera after 1945: East Berlin's Staatsoper and West Berlin's St?dtische Oper


Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950

Автор: Anderton Abby
Название: Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950
ISBN: 0253042429 ISBN-13(EAN): 9780253042422
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 23410.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.

Economics

Автор: Anderton, Alain
Название: Economics
ISBN: 1405892358 ISBN-13(EAN): 9781405892353
Издательство: Pearson Education
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Цена: 95750.00 T
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Описание: Anderton`s bestselling Economics texts - updated for the new GCE specifications

Music festivals in the uk

Автор: Anderton, Chris
Название: Music festivals in the uk
ISBN: 1472436202 ISBN-13(EAN): 9781472436207
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание:

The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full-time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events.



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