Robert Burns and the United States of America, Sood
Автор: Michael Hoberman Название: A Hundred Acres of America: The Geography of Jewish American Literary History ISBN: 0813589703 ISBN-13(EAN): 9780813589701 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Невозможна поставка. Описание: 2019 Choice Outstanding Academic Title Jewish writers have long had a sense of place in the United States, and interpretations of American geography have appeared in Jewish American literature from the colonial era forward. But troublingly, scholarship on Jewish American literary history often limits itself to an immigrant model, situating the Jewish American literary canon firmly and inescapably among the immigrant authors and early environments of the early twentieth century. In A Hundred Acres of America, Michael Hoberman combines literary history and geography to restore Jewish American writers to their roles as critical members of the American literary landscape from the 1850s to the present, and to argue that Jewish history, American literary history, and the inhabitation of American geography are, and always have been, contiguous entities.
Автор: Arun Sood Название: Robert Burns and the United States of America ISBN: 3030068536 ISBN-13(EAN): 9783030068530 Издательство: Springer Рейтинг: Цена: 53100.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
Автор: Adam Gilbert Название: A Shadow on Our Hearts: Soldier-Poetry, Morality, and the American War in Vietnam ISBN: 1625343000 ISBN-13(EAN): 9781625343000 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 98870.00 T Наличие на складе: Невозможна поставка. Описание: The American war in Vietnam was one of the most morally contentious events of the twentieth century, and it produced an extraordinary outpouring of poetry. Yet the prodigious poetic voice of its American participants remains largely unheard; the complex ethical terrain of their experiences underexplored. In A Shadow on Our Hearts, Adam Gilbert rectifies these oversights by utilizing the vast body of soldier-poetry to examine the war's core moral issues.The soldier-poets provide important insights into the ethical dimensions of their physical and psychological surroundings before, during, and after the war. They also offer profound perspectives on the relationships between American soldiers and the Vietnamese people. From firsthand experiences, they reflect on what it meant to be witnesses, victims, and perpetrators of wartime violence. And they advance an uncompromising vision of moral responsibility that indicts a range of culprits for the harms caused by the conflict. Gilbert explores the powerful and perceptive work of these soldier-poets through the lens of morality and presents a radically alternative, deeply personal, and ethically penetrating account of the American war in Vietnam.
Автор: Sarah Ehlers Название: Left of Poetry: Depression America and the Formation of Modern Poetics ISBN: 1469651289 ISBN-13(EAN): 9781469651286 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes and Muriel Rukeyser, and uncovering the contributions of lesser-known writers such as Jacques Roumain, Genevieve Taggard, and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Автор: Sarah Ehlers Название: Left of Poetry: Depression America and the Formation of Modern Poetics ISBN: 1469651270 ISBN-13(EAN): 9781469651279 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 82770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes and Muriel Rukeyser, and uncovering the contributions of lesser-known writers such as Jacques Roumain, Genevieve Taggard, and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
This book describes and characterizes responses of American readers to fiction in the generation before the Civil War. It is based on close examination of the reviews of all novels—both American and European—that appeared in major American periodicals during the years 1840–1860, a period in which magazines, novels, and novel reviews all proliferated. Nina Baym makes uses of the reviews to gain information about the formal, aesthetic, and moral expectations of reviewers. Her major conclusion is that the accepted view about the American novel before the Civil War—the view that the atmosphere in America was hostile to fiction—is a myth. There is compelling evidence, she shows, for the existence of a veritable novel industry and, concomitantly, a vast audience for fiction in the 1840s and 1850s.
Departure from Ireland has long occupied a contradictory position in Irish national discourse, alternately viewed as exile or betrayal. This book analyses how departure, as well as notions of home, identity and return, is articulated in the narratives of three members of the Irish diaspora community in Argentina: John Brabazon’s journal The Customs and Habits of the Country of Buenos Ayres from the year 1845 by John Brabazon and His Own Adventures; William Bulfin’s series of sketches for The Southern Cross newspaper, later published as Tales of the Pampas (1900) and Rambles in Eirinn (1907); and Kathleen Nevin’s fictional memoir, You’ll Never Go Back (1946). The book examines the extent to which each writer upholds or contests hegemonic constructions of Irishness, as well as exploring how they negotiate the dual identity of emigrant and potential returnee. Each of the three writers, to varying degrees, challenges the orthodox positionings of the Irish diaspora subject as backward-looking and the Irish emigrant as bound to the national territory. Furthermore, they construct multiple subject positions and contradictory notions of Irishness: national, essentialist and homogeneous versus transnational, diverse and plural. Ultimately, their writings contribute to a rich and nuanced reimagining of the Irish emigrant identity.
Автор: Sascha Pohlmann Название: Vote with a Bullet: Assassination in American Fiction ISBN: 1640141138 ISBN-13(EAN): 9781640141131 Издательство: Boydell & Brewer Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Conceptualizes the genre of American assassination fiction as a dramatization of the tension between individualism and mass society in US culture.
Автор: Laski, Gregory (assistant Professor Of English, United States Air Force Academy) Название: Untimely democracy ISBN: 0190642793 ISBN-13(EAN): 9780190642792 Издательство: Oxford Academ Рейтинг: Цена: 87650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Untimely Democracy offers an exploration of how one of the bleakest periods in American racial history provided fertile terrain for a radical reconstruction of America`s most fundamental assumptions about democracy.
Автор: Florian Freitag Название: The Farm Novel in North America: Genre and Nation in the United States, English Canada, and French Canada, 1845-1945 ISBN: 1571135375 ISBN-13(EAN): 9781571135377 Издательство: Boydell & Brewer Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Provides the first history of the North American farm novel, a genre which includes John Steinbeck`s The Grapes of Wrath, Sheila Watson`s The Double Hook, and Louis Hemon`s Maria Chapdelaine.
Автор: Kilcup Karen L. Название: Who Killed American Poetry?: From National Obsession to Elite Possession ISBN: 0472131559 ISBN-13(EAN): 9780472131556 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 81310.00 T Наличие на складе: Поставка под заказ. Описание: Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets.
Автор: Hutchison Coleman Название: Apples and Ashes: Literature, Nationalism, and the Confederate States of America ISBN: 0820342440 ISBN-13(EAN): 9780820342443 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 26790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: <p><em>Apples and Ashes</em> offers the first literary history of the Civil War South. The product of extensive archival research, it tells an expansive story about a nation struggling to write itself into existence. Confederate literature was in intimate conversation with other contemporary literary cultures, especially those of the United States and Britain. Thus, Coleman Hutchison argues, it has profound implications for our understanding of American literary nationalism and the relationship between literature and nationalism more broadly. </p> <p><em>Apples and Ashe</em>s is organised by genre, with each chapter using a single text or a small set of texts to limn a broader aspect of Confederate literary culture. Hutchison discusses an understudied and diverse archive of literary texts including the literary criticism of Edgar Allan Poe; southern responses to <em>Uncle Tom’s Cabin</em>; the novels of Augusta Jane Evans; Confederate popular poetry; the de facto Confederate national anthem, “Dixie”; and several postwar southern memoirs. In addition to emphasising the centrality of slavery to the Confederate literary imagination, the book also considers a series of novel topics: the reprinting of European novels in the Confederate South, including Charles Dickens’s <em>Great Expectations</em> and Victor Hugo’s <em>Les Misérables</em>; Confederate propaganda in Europe; and postwar Confederate emigration to Latin America. </p> <p>In discussing literary criticism, fiction, poetry, popular song, and memoir, <em>Apples and Ashe</em>s reminds us of Confederate literature’s once-great expectations. Before their defeat and abjection—before apples turned to ashes in their mouths—many Confederates thought they were in the process of creating a nation and a national literature that would endure. </p>
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