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Return to Twin Peaks, Weinstock


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Автор: Weinstock
Название:  Return to Twin Peaks
ISBN: 9781349571406
Издательство: Springer
Классификация:







ISBN-10: 1349571407
Обложка/Формат: Paperback
Страницы: 262
Вес: 0.33 кг.
Дата издания: 2016
Язык: English
Издание: 1st ed. 2016
Иллюстрации: 14 illustrations, black and white; xiii, 262 p. 14 illus.
Размер: 140 x 215 x 24
Читательская аудитория: Professional & vocational
Основная тема: Sociology of Culture
Подзаголовок: New Approaches to Materiality, Theory, and Genre on Television
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This volume showcases the ways in which new theoretical paradigms and cultural emphases can reinvigorate and enrich understanding of what Twin Peaks was and what it has become since it went off the air in 1991.

John Williams`s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style

Автор: Audissino Emilio
Название: John Williams`s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
ISBN: 0299297349 ISBN-13(EAN): 9780299297343
Издательство: Mare Nostrum (Eurospan)
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Цена: 31410.00 T
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Описание: John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-eight Academy Award nominations as of 2013, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career.Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood’s Golden Age (1933–58), Emilio Audissino traces the turning points of Williams’s career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for Jaws and Star Wars, Williams’s work as conductor of the Boston Pops Orchestra, and a full film/music analysis of Raiders of the Lost Ark. The result is a precise, enlightening definition of Williams’s “neoclassicism” and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition.


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