Автор: Martin-jones, David Название: Deleuze and world cinemas ISBN: 0826416934 ISBN-13(EAN): 9780826416933 Издательство: Bloomsbury Рейтинг: Цена: 148500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Brings Deleuze`s writings on cinema into contact with world cinema, drawing on examples ranging from Georges Melies to Michael Mann. This title explores what happens when Deleuze`s ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Melies to Michael Mann) and a range of world cinemas.
Автор: Rode Alan K. Название: Michael Curtiz: A Life in Film ISBN: 0813173914 ISBN-13(EAN): 9780813173917 Издательство: Marston Book Services Рейтинг: Цена: 59400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Academy Award--winning director Michael Curtiz (1886--1962) -- whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) -- was in many ways the anti-auteur.
Автор: Anna Westerstahl Stenport, Arne Lunde Название: Nordic Film Cultures and Cinemas of Elsewhere ISBN: 1474438059 ISBN-13(EAN): 9781474438056 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A globalized history of Nordic film cultures in a transnational context
Introduces the concept of "Elsewheres" and "Cinemas of Elsewhere" - of value for many small national film cultures
Promotes an understanding of Scandinavian cinemas as world cinemas
Examines overlooked and little-known aspects of how Nordic cinemas have been funded, produced, circulated, received, appropriated and re-imagined outside of Scandinavia
Addresses cinemas of exile, diaspora, migration, emigration and immigration
Integrates examples of early and silent cinema, popular cinema, art cinema, documentary, shorts, experimental film, expanded media, the avant-garde, video art, music videos, ethnography, television and digital representation
Engages with questions of colonialism, gender, multi-lingualism, inter- and cross-cultural representation, film practice in the diaspora and visual anthropology
Engages with Indigenous cinemas of the North
Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics.
Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.
Contributors
Julie K. Allen, Brigham Young University
Linda Badley, Middle Tennessee State University
Ana Bento-Ribeiro, Paris Nanterre University
Benjamin Bigelow, University of Minnesota, Twin Cities
Mats Bjorkin, University of Gothenburg
Ib Bondebjerg, University of Copenhagen
Patrick Ellis, Georgia Institute of Technology
Kim Khavar Fahlstedt, Uppsala University
Annie Fee, University of Oslo
Saniya Lee Ghanoui, University of Illinois at Urbana-Champaign
Mette Hjort, Hong Kong Baptist University
Ingrid S. Holtar, Norwegian University of Science and Technology (NTNU)
Gunnar Iversen, Carleton University
Lill-Ann K rber, Aarhus University
Mariah Larsson, Linnaeus University
Anneli Lehtisalo, University of Tampere
Arne Lunde, UCLA
Scott MacKenzie, Queen's University
Bj rn Nordfj rd, St. Olaf College
Eva Novrup Redvall, University of Copenhagen
Anna Westerstahl Stenport, Georgia Institute of Technology
Emil Stjernholm, Lund University
Troy Storfjell, Pacific Lutheran University
C. Claire Thomson, University College London
Casper Tybjerg, University of Copenhagen
Boel Ulfsdotter, University of Gothenburg
Ann-Kristin Wallengren, Lund University
Patrick Wen, UCLA
Lynn R. Wilkinson, University of Texas at Austin
Автор: Anna Estera Mrozewicz Название: Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas ISBN: 1474452264 ISBN-13(EAN): 9781474452267 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
Автор: Yannis Tzioumakis, Peter Kramer Название: The Hollywood Renaissance: Revisiting American Cinema`s Most Celebrated Era ISBN: 1501337874 ISBN-13(EAN): 9781501337871 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "A fascinating examination of 13 key films from one of the most highly regarded and most widely debated periods in American film history"--
Автор: Smith-Rowsey Daniel Название: Blockbuster Performances: How Actors Contribute to Cinema`s Biggest Hits ISBN: 1137518782 ISBN-13(EAN): 9781137518781 Издательство: Springer Рейтинг: Цена: 102480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines performances in the American film industry`s highest-earning and most influential films.
Автор: Zelie Asava Название: Mixed Race Cinemas: Multiracial Dynamics in America and France ISBN: 1501351389 ISBN-13(EAN): 9781501351389 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Невозможна поставка. Описание: Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zelie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to ‘tragic mulatto’ tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and ‘post-race’ visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.
Автор: Yannis Tzioumakis, Peter Kramer Название: The Hollywood Renaissance: Revisiting American Cinema`s Most Celebrated Era ISBN: 1501337882 ISBN-13(EAN): 9781501337888 Издательство: Bloomsbury Academic Цена: 25330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a ‘renaissance’. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who’s Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood’s Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Автор: Dolores Tierney Название: New Transnationalisms in Contemporary Latin American Cinemas ISBN: 1474431135 ISBN-13(EAN): 9781474431132 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America`s transnational auteurs.
Автор: Costas Constandinides, Yiannis Papadakis Название: Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe ISBN: 1501319965 ISBN-13(EAN): 9781501319969 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Cyprus, the idyllic “island of Aphrodite,” is better known as a site of conflict and division between Greek Cypriots and Turkish Cypriots, rather than for its film production. Constandinides and Papadakis work to rectify this dearth of information by discussing the ouevre of filmmakers engaging with the island's traumatic legacies: anti-colonial struggles, post-colonial instability, interethnic conflict, external interventions and war. Starting with the cinema of the 1960s, when the island became a republic, the collection focuses on the recent decades of filmmakers exploring issues of conflict, memory, identity, nationalism, migration and gender, as well as the work of filmmakers who chose to cooperate across the ethnic divide. Cypriot Cinemas utilizes a methodology that engages all necessary perspectives for an illuminating critical discussion: historical, theoretical and comparative (Greek Cypriot and Turkish Cypriot films in relation to regional film cultures/practices). While the volume develops a discussion based on the reading of the political in Cypriot films, it also looks at other film cultures and debates such as (s)exploitation films and transnational cinema.
Автор: Sundholm John Название: The Cultural Practice of Immigrant Filmmaking: The Conditions and Practices of Migrant Minor Cinemas in Sweden 1950-1990 ISBN: 1783209860 ISBN-13(EAN): 9781783209866 Издательство: Неизвестно Рейтинг: Цена: 98400.00 T Наличие на складе: Невозможна поставка. Описание: Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association. Using an innovative combination of key film theory, The Cultural Practice of Immigrant Filmmaking studies immigrant filmmaking in a transnational context, exploring how immigrant filmmakers use film to find a place in a new cultural situation. The e-book of this work is licensed under CC BY-NC-ND. To view a copy of the licence, visit https: //creativecommons.org/licenses/by-nc-nd/4.0/ Open Access PDF of this title is available from OAPEN, at this link - The Cultural Practice of Immigrant Filmmaking.
Автор: Ken Provencher, Mike Dillon Название: Exploiting East Asian Cinemas: Genre, Circulation, Reception ISBN: 1501354892 ISBN-13(EAN): 9781501354892 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
From the 1970s onward, "exploitation cinema" as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as "mainstream" or as "exploitation" have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as "art" or "trash," regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes "East Asian exploitation cinema."
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