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Movies, Songs, and Electric Sound: Transatlantic Trends, 


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Название:  Movies, Songs, and Electric Sound: Transatlantic Trends
ISBN: 9780253040404
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 025304040X
Обложка/Формат: Paperback
Страницы: 228
Вес: 0.31 кг.
Дата издания: 08.02.2019
Язык: English
Иллюстрации: 21 illustrations, black and white; 2 printed music items
Размер: 229 x 152 x 12
Читательская аудитория: General (us: trade)
Ключевые слова: Film theory & criticism,Music recording & reproduction,Film production: technical & background skills,Acoustic & sound engineering, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism,MUSIC / Recor
Подзаголовок: Transatlantic trends
Рейтинг:
Поставляется из: Англии
Описание:

How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles OBrien examines American and European musical films created circa 1930, when the worlds sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films musical sequences. Rather than advancing a films plot, songs in these films were staged, filmed, and cut to facilitate the singers engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, OBrien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.


Дополнительное описание: Introduction
Part I: Movies and Songs in Transition
Chapter 1: Songs in Cinema in 1930
Chapter 2: Electric Sound as New Medium
Chapter 3: Voices and Bodies, Direct and Dubbed
Part II: Transnational Trends
Chapter 4: Film



Movies, Songs, and Electric Sound: Transatlantic Trends

Название: Movies, Songs, and Electric Sound: Transatlantic Trends
ISBN: 0253040396 ISBN-13(EAN): 9780253040398
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 71060.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.



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