Автор: Beth Harland (Editor) and Sunil Manghani (Editor) Название: Painting: Critical and Primary Sources ISBN: 1472558413 ISBN-13(EAN): 9781472558411 Издательство: Bloomsbury Academic Рейтинг: Цена: 765600.00 T Наличие на складе: Невозможна поставка. Описание: Painting: Critical and Primary Sources is a four-volume reference work that brings together seminal writings on the history, philosophy and practice of painting. The collected essays range across the domains of philosophy, history, aesthetics, literature, science, anthropology, critical theory, cultural studies and art practice. Each volume is arranged thematically and separately introduced by the editors. Together the volumes trace a chronology of painting from the pre-Renaissance onwards, addressing notions and techniques of the artist and the artwork before setting out the key critical perspectives, problematics and approaches that frame modern painting practice from the nineteenth century through to the contemporary period. With key essays from Michel Foucault, Gilles Deleuze, Roland Barthes, Michael Fried, Emile Zola, Marcel Proust, Hubert Damisch, John Berger, Arthur C Danto and many more, this set is an essential resource for all students and scholars of fine art.
Автор: Robert Harland Название: Graphic Design in Urban Environments ISBN: 1472597745 ISBN-13(EAN): 9781472597748 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Нет в наличии. Описание: Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through “smart screens,” and other examples of what urban designers call “urban objects.”The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.
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