Music theory amp composition a ppb, Stone, Stephen C.
Название: Teaching Music Through Composition ISBN: 019984061X ISBN-13(EAN): 9780199840618 Издательство: Oxford Academ Рейтинг: Цена: 46980.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is a full multimedia curriculum that contains over 60 Lesson Plans in 29 Units of Study, Student Assignments Sheets, Worksheets, Handouts, Audio and MIDI files to teach a wide array of musical topics, including: general/basic music theory, music appreciation and analysis, keyboarding, composing/arranging, even ear-training (aural theory) using technology.
Автор: Stone Stephen C. Название: Music Theory and Composition: A Practical Approach ISBN: 153810122X ISBN-13(EAN): 9781538101223 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 190080.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This text presents a pragmatic, accessible approach to music theory by emphasizing melody and counterpoint. Starting with a single melodic line and gradually adding voices in counterpoint, the book drills part-writing while also explaining functionality, first with scale degrees and then with harmony. Workbook sections follow each chapter.
Автор: Karlton Hester Название: Exploratory Musicism: Ideas for Spontaneous Composition ISBN: 1609271327 ISBN-13(EAN): 9781609271329 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 113650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Examines both music and musical composition, and the characteristics they share with science, mathematics and the natural world. Written for upper-division and graduate courses, the book shows students that music is part of an interdisciplinary collection of artistic modes of expression, and that these modes can be better understood in the context of what we observe in the real world.
This book describes some rules that I came up with and follow when I am composing music. These rules could apply to any tuning system such as my own Eagle 53 tuning and other alternative tunings. There is also a list of what I consider to be "good" harmony and melody intervals over a six octave range. The book is aimed primarily at people who use alternative tunings (i.e. tunimgs that are different to the standard Western musical tuning: 12 Tone Equal Temperament). There are only 20 pages of text in this book, the other 80 pages list 96 scales and 2196 'legal' intervals.
Автор: Mark Название: Roger Smalley: A Case Study of Late Twentieth-Century Composition ISBN: 1138261254 ISBN-13(EAN): 9781138261259 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe
Автор: Hunter Ewen Название: Musical Composition in Max/MSP: Strategies for Digital Creativity ISBN: 1138040983 ISBN-13(EAN): 9781138040984 Издательство: Taylor&Francis Рейтинг: Цена: 91870.00 T Наличие на складе: Невозможна поставка. Описание: Now in a fully revised, expanded and updated second edition, this textbook introduces the complex relationships between modern sport, policy, development and other aspects of society. It clearly explains the wider policy context that frames the governance and management of sport, and closely examines the central components of sport development.
Автор: Brody, Martin Название: Music and musical composition at the american academy in rome ISBN: 1580462456 ISBN-13(EAN): 9781580462457 Издательство: Wiley Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, this volume provides a history of the AAR`s Rome Prize in Composition.
This book breaks new ground in drawing on evolutionary psychology in support of advocacy for music education, and the presentation of innovative musical pedagogy. The book adopts the perspective that musical experience is the birthright of all human beings through the decisive role it played in the evolution of our species, the traces of which we carry in our genes. The author draws on scientific developments in acoustics, neuroscience, linguistics, archaeology and anthropology to examine theories that have emerged powerfully during the last twenty years and which argue for the significance of the practice of music as foundational to human culture. This position is examined in parallel with research into how children learn musically, and the role that creative decision making plays in this. A series of strategies is presented that explores collective creativity which draws on vocalisation, the use of gesture, and instinctive responses to harmony to develop musical imagination.
Автор: Bent Margaret Название: Counterpoint, Composition and Musica Ficta ISBN: 1138966878 ISBN-13(EAN): 9781138966871 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Jones Название: The Principles and Practice of Tonal Counterpoint ISBN: 0415878292 ISBN-13(EAN): 9780415878296 Издательство: Taylor&Francis Рейтинг: Цена: 158230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Название: Composition, Performance, Reception ISBN: 1138269050 ISBN-13(EAN): 9781138269057 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Composers, performers, listeners, critics and theorists all play vital roles in the creation of music culture; yet often each group can appear to hold widely divergent views of a musical work’s aims and effects. As the title indicates, this book examines the parts played by these groups and the interaction between them. In the first of eleven essays, Robert Saxton discusses the difficulty in pin-pointing the moment of inspiration for a new composition; while Raymond Warren looks at the problems facing operatic performers, including those that arise when interpretations are suggested by the libretto but not in the music. The changing perception of the composer's art from the 14th century to the present day is charted by Wyndham Thomas, in particular attitudes towards arrangement. Two quite different views of the performer’s responsibility in communicating the composer’s intentions are taken by Charles Rosen and Susan Bradshaw, the latter arguing for the need to bridge the gap between theoretical and practical analysis of a work; and in two fascinating case studies, Eric Clarke and Jennifer Davidson highlight the ways in which attention to movements of the body in performance can reveal aspects of musical structure. The reception of music is tackled from a variety of perspectives in the book. In his assessment of audience reaction to Jonathan Harvey’s ’The Riot’, Adrian Beaumont concludes that our response is influenced by a complex web of expectations and previous musical experience. The influence of record sleeves in also determining a listener’s response to music is discussed by Nicholas Cook; while Stephen Walsh and Adrian Thomas explore two milieux of critical reception - the first to the music of Stravinsky, and the second to works composed during the social-realist period in Poland. On a more personal level, Bojan Bujic’s essay forms a fitting counterpart to Saxton’s in his attempt to locate the ways in which we experience a new musica
Автор: Robert Carl Название: Music Composition in the 21st Century: A Practical Guide for the New Common Practice ISBN: 1501357581 ISBN-13(EAN): 9781501357589 Издательство: Bloomsbury Academic Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The state of contemporary music is dizzyingly diverse in terms of style, media, traditions, and techniques. How have trends in music developed over the past decades? Music Composition in the 21st Century is a guide for composers and students that helps them navigate the often daunting complexity and abundance of resources and influences that confront them as they work to achieve a personal expression.From pop to classical, the book speaks to the creative ways that new composers mix and synthesize music, creating a music that exists along a more continuous spectrum rather than in a series of siloed practices. It pays special attention to a series of critical issues that have surfaced in recent years, including harmony, the influence of minimalism, the impact of technology, strategies of "openness," sound art, collaboration, and improvisation. Robert Carl identifies an emerging common practice that allows creators to make more informed aesthetic and technical decisions and also fosters an inherently positive approach to new methods.
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