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Introduction to Remote Sensing, Hopkins Max


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Цена: 161990.00T
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Автор: Hopkins Max
Название:  Introduction to Remote Sensing
ISBN: 9781682866047
Издательство: Syrawood Publishing House
Классификация:
ISBN-10: 1682866041
Обложка/Формат: Hardcover
Страницы: 231
Вес: 0.62 кг.
Дата издания: 27.02.2018
Язык: English
Размер: 186 x 266 x 21
Поставляется из: США
Описание: The process whereby information about an object, manmade or natural, can be obtained remotely or without directly encountering it is known as remote sensing. It has great significance in military as well as geographic and commercial endeavors. It generally includes satellites and aircraft based sensors to root out information about objects present in the deep sea, atmosphere, etc. This book presents the complex subject of remote sensing in the most comprehensible and easy to understand language. It includes a detailed explanation of the various concepts and applications of the field. Some of the diverse topics covered in it address the varied branches that fall under this category. This textbook will serve as a valuable source of reference for those interested in remote sensing.

Brecht`s tradition

Автор: Spalter, Max
Название: Brecht`s tradition
ISBN: 1421435489 ISBN-13(EAN): 9781421435480
Издательство: Неизвестно
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Цена: 68430.00 T
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Описание:

Originally published in 1967. Literary scholars often acknowledge that Brecht borrowed from a variety of traditions, including Goethe, Schiller, expressionists, naturalists, and realists, all of whom affected his work. However, they tend not to address any single tradition as exclusively Brecht's. From these various literary traditions, Brecht borrowed formal elements only; compared with other writers to whom he is indebted, Brecht exceeds them in cynicism. They do not convey anything like his pitiless debunking attitude, his corrosive anti-romanticism, his hardheaded refusal to idealize or glorify, and his suspicion of all sentimentalities. This book discusses what the author identifies as the "Brechtian sensibility." Chroniclers of drama have not totally ignored the Brechtian tradition, but too often they are content to note merely that Brecht shared with some writers--particularly B chner and Wedekind--a proclivity for open drama and episodes of racy realism tinged with poetic feeling. Other critics have not closely studied the various plays of this tradition in order to show how they constitute a distinctive and well-defined species of theater to which Brecht unmistakably belongs.



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