Perfectly Human: Nine Months with Cerian, Williams Sarah

Автор: Williams Marion, Mercer Sarah, Ryan Stephen
Название: Exploring Psychology in Language Learning and Teaching (Oxford Handbooks for Language Teachers)
ISBN: 0194423999 ISBN-13(EAN): 9780194423991
Издательство: Oxford University Press
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Цена: 58150.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores key areas of educational and social psychology and considers their relevance to language teaching, using activities and questions for reflection. Issues discussed include learners` and teachers` beliefs about how a subject should be learned and taught, relationships with others, and the role of emotions in learning.

Автор: Hue-Williams Sarah
Название: Hidden Gems
ISBN: 1910065994 ISBN-13(EAN): 9781910065990
Издательство: Неизвестно
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Цена: 36960.00 T
Наличие на складе: Невозможна поставка.
Описание: 40 stories about jewels never publicly shared before

Автор: Hue-Williams Sarah
Название: Kind of Magic
ISBN: 1910787817 ISBN-13(EAN): 9781910787816
Издательство: ORCA BOOK SERVICES
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Цена: 42240.00 T
Наличие на складе: Невозможна поставка.
Описание: The 50 vanity cases shown in this book are from one private collection, with examples of contemporary jewellery and images illustrating the lives of those who owned them.

Автор: Williams, Dr. Sarah F.
Название: Damnable practises: witches, dangerous women, and music in seventeenth-century english broadside ballads
ISBN: 1472420829 ISBN-13(EAN): 9781472420824
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.