Автор: Ratner, Sabina Teller Название: Camille Saint-Saens 1835-1921: A Thematic Catalogue of His Complete Works : The Instrumental Works Volume I ISBN: 0198163207 ISBN-13(EAN): 9780198163206 Издательство: Oxford Academ Рейтинг: Цена: 308610.00 T Наличие на складе: Есть Описание: Defines the achievement of the great French composer - Camille Saint-Saens. All his musical works are presented: the well-recognized masterpieces, the childhood sketches, and the unpublished compositions. This collection fully documents the composer`s extraordinary contribution to the musical world.
Автор: Xiang Chen Название: Instrumental Traditions and Theories of Light ISBN: 0792363493 ISBN-13(EAN): 9780792363491 Издательство: Springer Рейтинг: Цена: 139750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An analysis of the optical revolution in the context of early 19th century Britain. People`s judgements about classification, explanation and evaluation were affected by the way they used such optical instruments as spectroscopes, telescopes, polarisers, photometers, gratings, prisms and apertures.
Автор: Xiang Chen Название: Instrumental Traditions and Theories of Light ISBN: 9401058245 ISBN-13(EAN): 9789401058247 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: An analysis of the optical revolution in the context of early 19th century Britain. People`s judgements about classification, explanation and evaluation were affected by the way they used such optical instruments as spectroscopes, telescopes, polarisers, photometers, gratings, prisms and apertures.
Автор: Seddon Название: British Women Composers and Instrumental Chamber Music in the Early Twentieth Century ISBN: 1138249637 ISBN-13(EAN): 9781138249639 Издательство: Taylor&Francis Рейтинг: Цена: 58170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
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