Camera graeca: photographs, narratives, materialities 9781472424761

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Название: Camera graeca: photographs, narratives, materialities
ISBN: 9781472424761
Издательство: Taylor&Francis
Классификация:

Фотография и фотографы

История Европы

История нового времени до 20 века: с 1700 по 1900

История 20 века: с 1900 по 2000

ISBN-10: 147242476X
Обложка/Формат: Hardback
Страницы: 396
Вес: 1.00 кг.
Дата издания: 28.06.2015
Серия: Publications of the centre for hellenic studies, king`s college london
Язык: English
Размер: 243 x 166 x 31
Читательская аудитория: Professional & vocational
Ключевые слова: Modern history to 20th century: c 1700 to c 1900, HISTORY / Modern / 19th Century,HISTORY / Modern / 20th Century
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Поставляется из: Европейский союз
Описание: While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, ’Imag(in)ing Greece’, shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, ’Photographic narratives, alternative histories’, demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, ’Photographic matter-realities’, foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, ’Photographic ethnographiesa

Camera graeca: photographs, narratives, materialities,