Автор: John Smart Название: Twentieth Century British Drama ISBN: 052179563X ISBN-13(EAN): 9780521795630 Издательство: Cambridge Education Рейтинг: Цена: 12990.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Looking back on 20th century British drama from its` historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.
Автор: Ojrzynska, Katarzyna Название: `dancing as if language no longer existed` ISBN: 3034318138 ISBN-13(EAN): 9783034318136 Издательство: Peter Lang Рейтинг: Цена: 74610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers a comprehensive study of the role of dance in a wide range of contemporary Irish plays and argues that dance can be perceived as exemplifying the re-embracement of bodily expression by the local culture. The author approaches this issue from a cultural materialist perspective, demonstrating that dance in twentieth-century Ireland was particularly prone to ideological appropriation and that, consequently, its use in contemporary drama often serves to communicate critical and revisionist approaches to the social, economic and political concerns addressed in these plays. The book makes a valuable contribution to current debates about the nature of Irish theatre, investigating recent changes to its traditional, text-based character. These are examined within two important contexts: firstly, transformations in the perception of the human body in Irish culture and, secondly, changes in the attitude of the Irish towards their past and their cultural heritage.
Автор: James Название: The Complete Writings of Henry James on Art and Drama ISBN: 110714017X ISBN-13(EAN): 9781107140172 Издательство: Cambridge Academ Рейтинг: Цена: 115110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Henry James is a highly readable commentator on the theatre and performance practices of his time. Readers of this complete collection of his nonfictional writing on drama will gain fresh insights not only into British, American and French theatre and drama, but also into James`s fiction and critical thinking.
The First World War (1914-1918) marked a turning point in modern history and culture and its literary legacy is vast: poetry, fiction and memoirs abound. But the drama of the period is rarely recognised, with only a handful of plays commonly associated with the war.
First World War Plays draws together canonical and lesser-known plays from the First World War to the end of the twentieth century, tracing the ways in which dramatists have engaged with and resisted World War I in their works. Spanning almost a century of conflict, this anthology explores the changing cultural attitudes to warfare, including the significance of the war over time, interwar pacifism, and historical revisionism. The collection includes writing by combatants, as well as playwrights addressing historical events and national memory, by both men and women, and by writers from Great Britain and the United States.
Plays from the period, like Night Watches by Allan Monkhouse (1916), Mine Eyes Have Seen by Alice Dunbar-Nelson (1918) and Tunnel Trench by Hubert Griffith (1924), are joined with reflections on the war in Post Mortem by No l Coward (1930, performed 1944) and Oh What A Lovely War by Joan Littlewood's Theatre Workshop (1963) as well as later works The Accrington Pals by Peter Whelan (1982) and Sea and Land and Sky by Abigail Docherty (2010).
Accompanied by a general introduction by editor, Dr Mark Rawlinson.
Автор: Bennett Название: The Cambridge Introduction to Theatre and Literature of the Absurd ISBN: 1107053927 ISBN-13(EAN): 9781107053922 Издательство: Cambridge Academ Рейтинг: Цена: 82370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This accessible Introduction provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Essential reading for students, this book provides the necessary tools to develop the study of some of the twentieth century`s most influential works.
Автор: Bristol Michael D. Название: Carnival and Theater (Routledge Revivals) Plebian Culture and the Structure of Authority in Renaissance England ISBN: 0415750156 ISBN-13(EAN): 9780415750158 Издательство: Taylor&Francis Рейтинг: Цена: 46950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Автор: Banham Martin Название: African Theatre 13: Ngugi Wa Thiong`o and Wole Soyinka ISBN: 1847010989 ISBN-13(EAN): 9781847010988 Издательство: Boydell & Brewer Рейтинг: Цена: 21110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Directors and collaborators assess and comment on the production of plays by West Africa`s Nobel Laureate Wole Soyinka and East Africa`s most influential author Ngugi wa Thiong`o.
Автор: Leslie Kane Название: David Mamet`s Glengarry Glen Ross: Text and Performance (Studies in Modern Drama) ISBN: 0815335903 ISBN-13(EAN): 9780815335900 Издательство: Taylor&Francis Рейтинг: Цена: 42870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This critical collection of eight original essays and two recently published essays by noted American and European scholars examines David Mamet`s development from the beginning of his career to the present.
Автор: Sarah Grochala Название: The Contemporary Political Play: Rethinking Dramaturgical Structure ISBN: 1472588460 ISBN-13(EAN): 9781472588463 Издательство: Bloomsbury Academic Рейтинг: Цена: 27450.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
What does it mean for a play to be political in the 21st century? Does it require explicit engagement with events and situations with the aim of bringing about change or highlighting social wrongs? Is it purely a matter of content or is it also a matter of structure?
The Contemporary Political Play: Rethinking Dramaturgical Structure examines the politics of contemporary 'political' drama. It traces the origins of the contemporary British political play to the emergence of the idea of 'serious drama' in the late 19th century through the work of Bernard Shaw, and argues that a Shavian version of serious drama was inextricably linked to the social and political structures of British society at the time. While political drama is still often thought of as adhering to a Shavian model in which social issues are presented through a dialectical structure, Grochala argues that the different political structures of contemporary Britain give rise to formally inventive dramaturgies that are no less 'serious' or political than their Shavian forebears. Through analysing the experimental dramaturgies of contemporary plays by playwrights including Caryl Churchill, Simon Stephens, Anthony Neilson, debbie tucker green and Mark Ravenhill, among others, it offers a set of new principles for understanding how a play functions politically and reveals how today the dramaturgical structure of a play is as political as its content.
Автор: Ionica Cristina Название: The Affects, Cognition, and Politics of Samuel Beckett`s Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes ISBN: 3030349012 ISBN-13(EAN): 9783030349011 Издательство: Springer Рейтинг: Цена: 74530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: 1. Introduction to Beckett's "Absurdist" ExcessPart I Contagion and Accessibility: Revolutionary Beckett2. Repetition, Deliberation, and an Other Power: The Paradox as Practice3. The Liberating Laughter of "Nearly There" Beckett's Solidarity-Building Dramas4. Under-the-Radar Derision and Anger: Becoming Revolutionary in/ through Beckett's FictionPart II Script Evaluation and Enrichment: Evolutionary Beckett5. Beckett's "Script Multiplication and Enrichment" Rejecting Toxic Disjunctions and Seeking Inclusivity6. Evaluation, Expulsion, Expansion, and Reframing: Building Processing Speed and Tolerance to Cognitive Strain7. Conclusion
Автор: John J. McCann Название: The Theater of Arthur Adamov ISBN: 0807891614 ISBN-13(EAN): 9780807891612 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First recognized with the likes of Samuel Beckett and Eugene Ionesco as a defining figure at the forefront of the "theatre of the absurd," French playwright Adam Adamov had a prolific career, writing twenty plays between 1947 and 1970. John J. McMann provides a study of Adamov`s work which traces his artistic development and explores his role in defining the avant-garde and political theatres of France.
Автор: Donald Hedrick Название: Shakespeare and Fun: The Birth of Entertainment Value ISBN: 1350002844 ISBN-13(EAN): 9781350002845 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this decisively innovative approach to Shakespeare’s plays through their competitive relation to other choices from London’s vast entertainment industry, Donald Hedrick recovers a coherent internal dynamic of theatre’s 'pleasure enclosure' accompanying the revolutionary logic of capital’s new cultural and economic 'extremes'. Applying these relations to A Midsummer Night’s Dream, Othello and The Taming of the Shrew, he draws from cultural studies, contemporary and personal parallels, and wide-ranging historical materials: the semantic shift in keywords of pleasure anticipating the term 'fun', the practice of betting on actors, the psychology of the change of paying admission before an entertainment, and 'reality shows' of improvised contests of prose and verse. Continual insights emerge, both broad and specific: from ten 'entertainment value axioms' to Shakespeare’s awareness of entertainment value’s 'birth' at moments in his late plays, marking the end of a career that explored the value crisis of 'too much fun'.
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