How Things Are, J. Bogen; J.E. McGuire

Автор: Foucault, Michel
Название: Order of things
ISBN: 0415267374 ISBN-13(EAN): 9780415267373
Издательство: Taylor&Francis
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Цена: 18370.00 T
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Описание: Possibly one of the most significant, yet most overlooked, works of the twentieth century, it was The Order of Things that established Foucault`s reputation as an intellectual giant.

Автор: Peirce, Charles S.
Название: Reasoning and the logic of things
ISBN: 0674749677 ISBN-13(EAN): 9780674749672
Издательство: Wiley
Цена: 46410.00 T
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Описание: Charles Sanders Peirce (1839-1914) was an American philosopher, physicist, mathematician and founder of pragmatism. This book provides readers with philosopher`s only known, complete account of his own work. It comprises a series of lectures given in Cambridge, Massachusetts in 1898.

Автор: J. Bogen; J.E. McGuire
Название: How Things Are
ISBN: 9027715831 ISBN-13(EAN): 9789027715838
Издательство: Springer
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Цена: 198450.00 T
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Описание: One of the earliest and most influential treatises on the subject of this volume is Aristotle`s Categories. (Categories I/ii) Equally surprising are such details as Aristotle`s use of the terms `homonymy` and `synonymy` in connection with things talked about rather than words used to talk about them.

Автор: Sjeoholm Cecilia, Sjoholm Cecilia, Sj?holm Cecilia
Название: Doing Aesthetics with Arendt: How to See Things
ISBN: 0231173083 ISBN-13(EAN): 9780231173087
Издательство: Wiley
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Цена: 52800.00 T
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Описание: Constructs an Arendtian theory of aesthetics from the philosopher`s fragmentary writings on art and perception.

Автор: Strathausen
Название: The Look Of Things
ISBN: 1469615169 ISBN-13(EAN): 9781469615165
Издательство: Mare Nostrum (Eurospan)
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Цена: 41580.00 T
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Описание: Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stephan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and ""reality effect"" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world.