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Late Films of Claude Chabrol, Leigh Jacob


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Автор: Leigh Jacob
Название:  Late Films of Claude Chabrol
ISBN: 9781501312496
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1501312499
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.44 кг.
Дата издания: 19.10.2017
Серия: Arts
Язык: English
Иллюстрации: 15 bw illus
Размер: 212 x 237 x 17
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Films, cinema,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Individual Director
Подзаголовок: Genre, visual expressionism and narrational ambiguity
Рейтинг:
Поставляется из: Англии
Описание:

A member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention, although he was the more prolific and commercially successful of them all. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrols career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies.

Key areas of focus includes Chabrols careful depiction of upper-class settings in films such as La Ceremonie (1995), Merci pour le chocolat (2000) and La Fille coupee en deux (2007) and on what Robin Wood and Michael Walker call the beast in man (1970), the quasi-sympathetic id-figures of which Le Bouchers Popaul is the most celebrated. Chabrols id-figures inherit the traits of Shadow of a Doubts Uncle Charlie, Ropes Brandon and Strangers on a Trains Bruno, all three of whom have characteristics of the Nietzsche-quoting psychopath familiar in crime fiction. Additionally, The Late Films of Claude Chabrol considers the influence on Chabrol of a range of significant writers, including Patrick Hamilton, Patricia Highsmith, Charlotte Armstrong and Ruth Rendell.



Cinema of Eric Rohmer

Автор: Leigh Jacob
Название: Cinema of Eric Rohmer
ISBN: 1441198318 ISBN-13(EAN): 9781441198310
Издательство: Bloomsbury
Рейтинг:
Цена: 32660.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the death of the French film director Eric Rohmer in 2010, interest in his work has reignited. Known as the last of the established directors in the French New Wave, Rohmer took complete control over all his films, acting as his own producer throughout his career, and writing the scripts. He also made his mark by taking the lead in casting and location scouting - as French seaside resorts with beautiful young people are some of the elements present in most of his films. Combining history and criticism, Jacob Leigh pens the first chronological survey of this understudied filmmaker in order to give readers clear insights into how Rohmer's films came about and what he intended them to be. The book provides in-depth analysis of the themes and ideas of Rohmer's twenty-three feature films, and illustrates the complexity of their cinematic style. Leigh's study is the perfect introduction to the work of this great filmmaker, for both students and the general reader.

Cinema of Eric Rohmer

Автор: Leigh Jacob
Название: Cinema of Eric Rohmer
ISBN: 1441171398 ISBN-13(EAN): 9781441171399
Издательство: Bloomsbury
Рейтинг:
Цена: 158400.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the death of the French film director Eric Rohmer in 2010, interest in his work has reignited. Known as the last of the established directors in the French New Wave, Rohmer took complete control over all his films, acting as his own producer throughout his career, and writing the scripts. He also made his mark by taking the lead in casting and location scouting - as French seaside resorts with beautiful young people are some of the elements present in most of his films.

Combining history and criticism, Jacob Leigh pens the first chronological survey of this understudied filmmaker in order to give readers clear insights into how Rohmer's films came about and what he intended them to be. The book provides in-depth analysis of the themes and ideas of Rohmer's twenty-three feature films, and illustrates the complexity of their cinematic style. Leigh's study is the perfect introduction to the work of this great filmmaker, for both students and the general reader.



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