Bernini

Название: Bernini: The Sculptor of the Roman Baroque Pb
ISBN: 0714837156 ISBN-13(EAN): 9780714837154
Издательство: Phaidon Press Ltd.
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Цена: 26350.00 T
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Описание: Gian Lorenzo Bernini (1598-1680) was the greatest sculptor of his age - a bold innovator who effectively created the Baroque style. Published for the first time in 1955, this monograph provides an introduction to all aspects of Bernini`s sculpture, with information on his complete oeuvre.

Автор: Warwick Genevieve
Название: Bernini: Art and Theatre
ISBN: 0300187068 ISBN-13(EAN): 9780300187069
Издательство: Wiley yUP
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Цена: 38500.00 T
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Описание: Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist’s sculptural ensembles. Gian Lorenzo Bernini (1598–1680) was a sculptor, architect and painter, but also a court scenographer, playwright, actor and director. Bernini’s work in theatre served as a wellspring for his art’s visual effects. Theatre was the dominant cultural paradigm of the Baroque, manifest in the rise of opera and ballet, as well as increasingly magnificent scenographic technologies for the performed rituals of church and court. Bernini drew on a lexicon of theatrical effects, deploying light, movement and a fusion of fictive and physical space to render new forms of artistic illusion in both his sculptural mise-en-scenes and his stage sets. The force of his art’s illusionistic powers lay in a fiction of materials effected through medial exchanges between sculpture, painting and architecture. This book opens up provocative new frameworks for the analysis of Baroque illusionism extending beyond Bernini to a reconsideration of seventeenth-century visual culture as a whole.

Автор: Dickerson C D
Название: Bernini: Sculpting in Clay (Metropolitan Museum of Art)
ISBN: 0300185006 ISBN-13(EAN): 9780300185003
Издательство: Wiley yUP
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Цена: 49500.00 T
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Описание: The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods.

Автор: McPhee
Название: Bernini & the Bell Towers
ISBN: 0300089821 ISBN-13(EAN): 9780300089820
Издательство: Wiley yUP
Цена: 38500.00 T
Наличие на складе: Поставка под заказ.
Описание: In 1638, the great artist-architect Gianlorenzo Bernini began one of the most ambitious architectural projects of his career: to design and construct massive twin bell towers atop St. Peter's basilica at the Vatican. But the project failed spectacularly.

Bernini's reputation was permanently tarnished, and the scandal of the bell towers sparked a controversy that persists to this day. What happened? Who was responsible? How did events unfold in this dramatic episode of architectural history? This illustrated volume tells the complete story of the bell towers. Presenting both visual and documentary evidence, Sarah McPhee reconstructs the entire affair, the architectural and political milieu, the evolution of the designs, and the varying influences of all those involved in the project.

McPhee examines the multiple constraints under which Bernini worked, including the ambitions of the Pope, the criticisms of rival architects, the financial and political constraints of the building committee, the monumental history of the basilica, and the geology of the site. She reinterprets Bernini's role as architect and shows convincingly that the failure of the bell tower was not Bernini's own. Instead, it was the failure of the institution of the Vatican, driven by liturgical and political imperatives, that doomed the project despite the architect's heroic efforts.