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VIS-A-Vision: Conversations with Russian Conceptual Artists, 1978-2013, Tupitsyn Victor


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Цена: 31270.00T
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в Мои желания

Автор: Tupitsyn Victor
Название:  VIS-A-Vision: Conversations with Russian Conceptual Artists, 1978-2013
Перевод названия: Виз-а-видение
ISBN: 9783959051439
Издательство: Spector Books
Классификация: ISBN-10: 3959051433
Обложка/Формат: Paperback
Страницы: 356
Вес: 0.61 кг.
Дата издания: 26.09.2017
Язык: English
Размер: 216 x 160 x 20
Поставляется из: США
Описание:

In the Soviet era, poet, critic and cultural theorist Victor Tupitsyn had already begun making recordings of his conversations with Russian conceptualist artists in their Moscow kitchens and studios.

These recordings were intended for readers who had no access to this group of artists, whose work ran afoul of the official Soviet conceptions of art and thus was not shown in exhibitions. Like many other Russian intellectuals and artists, Tupitsyn emigrated to New York in the 1970s, where he continued the conversations he had begun. Victor Tupitsyn: Vis- -vision collects Tupitsyns conversations in full for the first time, featuring interviews with Ilya Kabakov, Boris Mikhailov, Komar&Melamid, Erik Bulatov and the groups Collective Actions and Inspection Medical Hermeneutics as well as many others. This body of interviews is an invaluable historical document of one of the most influential art tendencies of the late 20th century.



Anti-Shows: Aptart 1982-84, Exhibition Histories Vol. 8

Автор: Tupitsyn Margartia, Tupitsyn Victor
Название: Anti-Shows: Aptart 1982-84, Exhibition Histories Vol. 8
ISBN: 396098023X ISBN-13(EAN): 9783960980230
Издательство: INGRAM PUBLISHER SERVICES UK
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Цена: 23930.00 T
Наличие на складе: Поставка под заказ.
Описание: A collective of artists, a gallery and a movement, APTART was a series of self-organized "anti-shows" that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere.
The first comprehensive publication on APTART, this book presents extensive photographic documentation of all their activities alongside archival texts from contributing artists and documents from the time. Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement's history and guiding concepts; and further analysis is provided by contributions from Alexandra Danilova and Elena Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.


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