Music of the soviet era: 1917-1991, Hakobian, Levon
Автор: Hakobian, Levon Название: Music of the soviet era: 1917-1991 ISBN: 1138362654 ISBN-13(EAN): 9781138362659 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Автор: Rolf Malte Название: Soviet Mass Festivals, 1917-1991 ISBN: 082296239X ISBN-13(EAN): 9780822962397 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38810.00 T Наличие на складе: Невозможна поставка. Описание: Mass festivals were a trademark of twentieth-century authoritarianism, as seen in fascist Italy, Nazi Germany, and elsewhere. But nowhere was this phenomenon more prevalent than in the Soviet Union. Despite being a dominant feature of Soviet culture, these public spectacles have been largely overlooked as objects of study by historians.<br><br>Originally published in German, Malte Rolf’s highly acclaimed work examines the creation and perpetuation of large-scale celebrations such as May Day, the anniversary of the October Revolution, Harvest Day, and others throughout the Soviet era. He chronicles the overt political agendas, public displays of power, forced participation, and widespread use of these events in the Soviet drive to eradicate existing cultural norms and replace them with new icons of Soviet ideology. Rolf shows how the new Red Calendar became an essential tool in redefining celebrations in the Soviet Union.<br><br>Rolf traces the roots of Soviet mass festivals in disparate multi-ethnic celebrations, protests, and street marches during the late imperial era. He then contrasts these with post-revolutionary events that sought to dissolve ethnic rituals and unify the masses. By the end of the civil war, the Bolsheviks had a well-defined calendar of events and began to dictate the forms of public celebration in accordance with party rhetoric. In distant regions, organisers attempted to follow the models of Moscow and Leningrad, despite budgetary constraints and local resistance. In many outlying areas a hybridisation of events developed as local customs merged with party mandates. People often made use of official holidays to adopt their own agendas, yet continued to follow the line of an official Soviet culture. Mass festivals were thus an important tool for Sovietising the cultural landscape.<br><br>After the Second World War, the Soviets exported their festival culture to Eastern Europe and the Baltic states, which resulted in a melding of Soviet guidelines with national cultural forms. Additionally, Rolf compares and contrasts Soviet mass spectacles with mass events in Italy, Germany, and the United States to reveal their similar influence despite divergent political, cultural, and social systems.<br><br>In the Soviet Union, mass festivals continued through the time of Khrushchev, Brezhnev, and up until perestroika, despite their fading political impact. Rolf finds that in the end, Soviet celebrations became effectively ingrained in Russia’s post-Soviet national memory, which ironically was the intent of the original festival planners.
Автор: Willimott Andy Название: Living the Revolution: Urban Communes & Soviet Socialism, 1917-1932 ISBN: 0198725825 ISBN-13(EAN): 9780198725824 Издательство: Oxford Academ Рейтинг: Цена: 108240.00 T Наличие на складе: Поставка под заказ. Описание: A pioneering insight into the world of the early Soviet activist in the wake of the October Revolution, exploring how young radicals banded together in `urban communes`; at first an experimental lifestyle choice for a handful of young socialists, but growing into a cultural phenomenon espoused by tens of thousands of youths by the end of the 1920s.
In the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. In Virtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects.Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win.
Mention twentieth-century Russian music, and the names of three "giants"--Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich--immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians' responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties.
Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities.
Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Автор: Monakov Mikhail, Rohwer Jurgen Название: Stalin`s Ocean-Going Fleet: Soviet Naval Strategy and Shipbuilding Programs, 1935-53 ISBN: 0415761255 ISBN-13(EAN): 9780415761253 Издательство: Taylor&Francis Рейтинг: Цена: 57150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The book describes in detail the discussions about the naval strategy and the shipbuilding progams in the Soviet political and military leadership from 1922 to the death of Stalin in 1953.
Автор: Bailes Kendall E. Название: Technology and Society Under Lenin and Stalin: Origins of the Soviet Technical Intelligentsia, 1917-1941 ISBN: 0691605750 ISBN-13(EAN): 9780691605753 Издательство: Wiley Рейтинг: Цена: 58080.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From the Soviet technical intelligentsia emerged more than three quarters of recent Politburo members, including Brezhnev, Kosygin, and Podgorny. The largest single group of dissenters, including Grigorenko, Sakharov, and Solzhenitsyn, have also been members. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-dema
Автор: Gitelman Zvi y. Название: Jewish Nationality and Soviet Politics: The Jewish Sections of the Cpsu, 1917-1930 ISBN: 0691619484 ISBN-13(EAN): 9780691619484 Издательство: Wiley Рейтинг: Цена: 92930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In order to "Bolshevize" the Jewish population, the Soviets created within the Party a number of special Jewish Sections. Charged with the task of integrating the largely hostile or indifferent Jews into the new state the Sections` programs are, in effect, a case study of the modernization and secularization of an ethnic and religious minority. Zvi
Автор: Huskey Eugene Название: Russian Lawyers and the Soviet State: The Origins and Development of the Soviet Bar, 1917-1939 ISBN: 0691611068 ISBN-13(EAN): 9780691611068 Издательство: Wiley Рейтинг: Цена: 42240.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study traces the development of the Soviet Bar through periods of legal nihilism and legal revival to its final integration into the Soviet order at the end of the 1930s--a story of uncertainty and conflict in the Bolshevik ranks over the role of the lawyer under socialism and one of resistance to Soviet power by a profession jealous of its ow
Автор: Hudson Jr Hugh D. Название: Blueprints and Blood: The Stalinization of Soviet Architecture, 1917-1937 ISBN: 0691606285 ISBN-13(EAN): 9780691606286 Издательство: Wiley Рейтинг: Цена: 42240.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Analyzing "totalitarianism from below" in a crucial area of Soviet culture, Hugh Hudson shows how Stalinist forces within the architectural community destroyed an avant-garde movement of urban planners and architects, who attempted to create a more humane built environment for the Soviet people. Through a study of the ideas and constructions of the
Автор: Taylor Название: The Politics of the Soviet Cinema 1917–1929 ISBN: 0521088550 ISBN-13(EAN): 9780521088558 Издательство: Cambridge Academ Рейтинг: Цена: 35910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the authorities towards the cinema and the actual use to which the cinema was put.
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