Quarmby, Kevin A Disguised ruler in shakespeare and his contemporaries 9781138277045

Варианты приобретения

Цена: 58170.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 176 шт.
При оформлении заказа до: 2025-08-18
Ориентировочная дата поставки: конец Сентября - начало Октября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Quarmby, Kevin A
Название: Disguised ruler in shakespeare and his contemporaries
ISBN: 9781138277045
Издательство: Taylor&Francis
Классификация:

Пьесы, сценарии

Литературоведение: Общие вопросы

Литературоведение: пьесы и драматурги

ISBN-10: 1138277045
Обложка/Формат: Paperback
Страницы: 280
Вес: 0.43 кг.
Дата издания: 16.11.2016
Серия: Studies in performance and early modern drama
Язык: English
Размер: 155 x 235 x 20
Читательская аудитория: General (us: trade)
Ключевые слова: Literary studies: c 1500 to c 1800, LITERARY CRITICISM / Drama
Рейтинг:
Поставляется из: Европейский союз
Описание: In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed Jacobean disguised ruler plays, these works include Shakespeares Measure for Measure, Marstons The Malcontent and The Fawn, Middletons The Phoenix, and Sharphams The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queens demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motifs ongoing vitality. The disguised rulers presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised rulers dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.

Disguised ruler in shakespeare and his contemporaries, Quarmby, Kevin A