Claude monet, free thinker: radical republicanism, darwin`s science, and the evolution of impressionist aesthetics 9781433130809

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Автор: Call, Michael J.
Название: Claude monet, free thinker: radical republicanism, darwin`s science, and the evolution of impressionist aesthetics
ISBN: 9781433130809
Издательство: Peter Lang
Классификация:

Общие вопросы искусства

История художественных и оформительских стилей: с 1800 по 1900 г.

История нового времени до 20 века: с 1700 по 1900

ISBN-10: 1433130807
Обложка/Формат: Hardback
Страницы: 187
Вес: 0.37 кг.
Дата издания: 30.09.2015
Серия: American university studies
Язык: English
Издание: New ed
Размер: 156 x 230 x 16
Читательская аудитория: Professional & vocational
Ключевые слова: The arts: general issues,History of art & design styles: c 1800 to c 1900,Modern history to 20th century: c 1700 to c 1900, ART / General,ART / History / General,HISTORY / Europe / France
Подзаголовок: Radical republicanism, darwin`s science, and the evolution of impressionist aesthetics
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Поставляется из: Англии
Описание: This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive social agenda, and fierce anticlericalism. His efforts to create a style reflecting his personal political code led him to produce paintings proclaimed by like-minded free thinkers as «a science being constantly perfected» (Gustave Geffroy), that is, emphasizing only observable phenomena in the immediate present through scrupulous, insistent on-site observation, capturing the raw data of sensations and sensory experience, and purporting to record a world free of embedded meaning. Darwin’s world similarly comes with no prepackaged reassurance of humankind’s privileged place in it; it is instead a space in which all varieties of organisms and species compete for limited resources in a struggle for survival. The Darwinian model of nature appears to have influenced Monet’s artistic production increasingly as his style evolved over several decades. In opposition to post-Renaissance art that privileged the human presence in both representation and the viewing act, Monet’s later paintings create a sense of virtual and visual equality among all observable phenomena. The human – and the viewer, by extension – is thus represented as neither separate from nature as a disengaged observer nor superior to it but rather co-equal with all other organic life forms surrounding it. This approach, while echoing Darwin’s admiration of nature and its laws, also reminds humankind of its own fragility and the hard choices it must make to avoid extinction.
Дополнительное описание: Contents: The Triumph of Secularism – Republicanism and Science – Claude Monet, Free Thinker – A Scientific Style and Its Interpreters – The Demise of Anthropocentrism – Time and Mortality – The Search for Harmony – The Painted Garden.

Claude monet, free thinker: radical republicanism, darwin`s science, and the evolution of impressionist aesthetics, Call, Michael J.