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Great war modernism, 


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Цена: 15490.00T
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Название:  Great war modernism
ISBN: 9781611478037
Издательство: Fairleigh dickinson university press
Классификация:


ISBN-10: 1611478030
Обложка/Формат: Hardcover
Страницы: 256
Вес: 0.53 кг.
Дата издания: 04.12.2015
Язык: English
Иллюстрации: 1 black & white illustrations
Размер: 160 x 236 x 31
Читательская аудитория: Professional & vocational
Подзаголовок: Artistic response in the context of war, 1914-1918
Рейтинг:
Поставляется из: Англии
Описание: This international collection of essays gives fresh insight into the lives and perspectives of the modernist authors who lived and wrote in the shadow of war. These essays offer a link through wartime experience, as the fragmented, violent, and traumatic period demanded unique forms of expression.

Great war modernism artistic

Название: Great war modernism artistic
ISBN: 1611478057 ISBN-13(EAN): 9781611478051
Издательство: Неизвестно
Рейтинг:
Цена: 88880.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This international collection of essays gives fresh insight into the lives and perspectives of the modernist authors who lived and wrote in the shadow of war. These essays offer a link through wartime experience, as the fragmented, violent, and traumatic period demanded unique forms of expression.

Great War Modernists: D. H. Lawrence, H.D. and Richard Aldington

Автор: Lee M. Jenkins
Название: Great War Modernists: D. H. Lawrence, H.D. and Richard Aldington
ISBN: 1350285331 ISBN-13(EAN): 9781350285330
Издательство: Bloomsbury Academic
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Цена: 89760.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as ‘another Bloomsbury set’, the Mecklenburgh Square writers, like the Bloomsbury Group proper, ‘lived in squares’ and ‘loved in triangles’, in Dorothy Parker’s famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as ‘life writing’. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.


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