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Kingfisher Readers: Arctic and Antarctic (Level 4: Reading Alone), Steele, Philip,Feldman, Thea


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Цена: 3070T
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Автор: Steele, Philip,Feldman, Thea
Название:  Kingfisher Readers: Arctic and Antarctic (Level 4: Reading Alone)   (Филип Стил: Арктика и Антарктика)
Издательство: Pan Macmillan
Классификация:
ISBN: 0753441020
ISBN-13(EAN): 9780753441022
Обложка/Формат: Paperback
Страницы: 32
Вес: 0.076 кг.
Дата издания: 11.08.2016
Серия: For National Curriculum Key Stage 1
Язык: English
Издание: Main market ed. - uk
Размер: 152 x 228 x 4
Читательская аудитория: Children / juvenile
Рейтинг:
Поставляется из: Англии
Описание: This irresistible reading series is sure to fire the imagination of young readers with its exciting range of high-interest topics and its great-looking, easy-to-follow design. Developed with literacy experts, this five-level graded reading series will guide young readers as they build confidence and fluency in their literacy skills and progress towards reading alone. Arctic and Antarctic introduces readers to these chilly places. It includes facts about who first explored the North and South Poles, and which people and animals live there now. Children can discover why there are research stations in the Antarctic, and all about migration, glaciers and more. See www.kingfisherreaders.com for series information.
Дополнительное описание:


Kingfisher Readers: Romans (Level 3: Reading Alone with Some Help)

Автор: Steele, Philip,Feldman, Thea
Название: Kingfisher Readers: Romans (Level 3: Reading Alone with Some Help)
ISBN: 0753430606 ISBN-13(EAN): 9780753430606
Издательство: Pan Macmillan
Рейтинг:
Цена: 3070 T
Наличие на складе: Нет в наличии.
Описание: THE TWENTY ETUDES FOR PIANO were composed during the years from 1991 to 2012. Their final configuration into Book 1 and Book 2 was determined by the music itself in the course of its composition.

Book 1 (Etudes 1-10) had a twin objective - to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing. In these two ways, Book 1 succeeded very well. I learned a great deal about the piano and in the course of learning the music, I became a better player.

New projects came along and interrupted the work on the Etudes for several years. Perhaps for that reason, when I took up work with the Etudes again I found the music was following a new path. Though I had settled questions of piano technique for myself in Book 1, the music in Book 2 quickly began to suggest a series of new adventures in harmony and structure.

In this way, Books 1 and 2, taken together, suggest a real trajectory that includes a broad range of music and technical ideas.

In the end, the Etudes are meant to be appreciated not only by the general listener, but especially by those who have the ability and patience to learn, play and perform the music themselves.


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