Автор: Marini Enrico Название: Scorpion ISBN: 1849181225 ISBN-13(EAN): 9781849181228 Издательство: Неизвестно Рейтинг: Цена: 6330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Time for the Scorpion to find out what sin his mother really committed
Автор: Reynolds Michael Название: Enrico Baj: The Artist`s Home ISBN: 0847858995 ISBN-13(EAN): 9780847858996 Издательство: Rizzoli Рейтинг: Цена: 55000.00 T Наличие на складе: Поставка под заказ. Описание: An Italian villa never before open to the public houses a trove of artistic creativity and design by one of the central figures of the Italian neo avant garde.
Автор: Cesaretti, Enrico Название: Fictions of appetite ISBN: 3034309716 ISBN-13(EAN): 9783034309714 Издательство: Peter Lang Рейтинг: Цена: 72870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Investigates the recurrence and aesthetic significance of images of food, appetite and consumption in works by F.T. Marinetti, Aldo Palazzeschi, Massimo Bontempelli, Paola Masino and Luigi Pirandello, published 1905-1939, revisiting these texts under the `modernist` label, which has traditionally been shunned by the Italian critical establishment.
Автор: Scaravelli, Enrico Название: Rise of bardolatry in the restoration ISBN: 3034320302 ISBN-13(EAN): 9783034320306 Издательство: Peter Lang Рейтинг: Цена: 92290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas. The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.
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