De Kock Leon Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing 9781868149643

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Автор: De Kock Leon
Название: Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing
ISBN: 9781868149643
Издательство: Mare Nostrum (Eurospan)
Классификация:

Теория литературы

Литературоведение: Общие вопросы

Литературоведение: постколониальная литература

Литературоведение: художественная литература, романисты и прозаики

Социальные проблемы м процессы

История образования

Политика и политический строй

Политические идеологии

Политические свободы и политический котроль

ISBN-10: 1868149641
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.41 кг.
Дата издания: 30.11.2016
Язык: English
Размер: 231 x 155 x 20
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Literary studies: general,History of education,Political structure & processes
Подзаголовок: Crime, reality and fiction in postapartheid south african writing
Рейтинг:
Поставляется из: Англии
Описание: In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more fl exible and multifaceted entity than its predecessor.If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, Authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot– the mapping and making of social betterment – appears to have been lost.The compulsion to forensically detect the actual causes of such loss of direction has resulted in the prominence of creative nonfi ction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens; this, De Kock argues, is reproduced in much postapartheid writing. And, although fi ctional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fi ction underplots, yielding to the imprint of real conditions to determine the narrative construction.
Дополнительное описание: Literature: history and criticism

Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing, De Kock Leon