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The Puccini Problem, Wilson


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Автор: Wilson
Название:  The Puccini Problem
ISBN: 9780521106375
Издательство: Cambridge Academ
Классификация:
ISBN-10: 0521106370
Обложка/Формат: Paperback
Страницы: 336
Вес: 0.52 кг.
Дата издания: 02.04.2009
Серия: Cambridge Studies in Opera
Язык: English
Иллюстрации: 6 b/w illus.
Размер: 161 x 230 x 21
Читательская аудитория: music, opera history, music history, theatre history, Italian cultural history
Основная тема: Music
Подзаголовок: Opera, Nationalism, and Modernity
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: As a detailed investigation of the reception and contexts of Puccini`s music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson considers how his reputation as a national composer was formed in an age that witnessed the beginnings of the cult of celebrity.

Giacomo Puccini and His World

Автор: Senici Emanuele, Schwartz Arman
Название: Giacomo Puccini and His World
ISBN: 0691172862 ISBN-13(EAN): 9780691172866
Издательство: Wiley
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Цена: 33790.00 T
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Описание:

Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond cliches of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity.

This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time.

The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.



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