Screening Bosnia: Geopolitics, Gender and Nationalism in Film and Television Images of the 1992-95 War, Stephen Harper
Автор: Lemish Dafna Название: Screening Gender on Children`s Television: The Views of Producers Around the World ISBN: 0415482054 ISBN-13(EAN): 9780415482059 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers readers insights into the transformations taking place in the presentation of gender portrayals in television productions aimed at younger audiences.
Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.
Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s Carrie, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.
Автор: Kohnen Melanie Название: Queer Representation, Visibility, and Race in American Film and Television: Screening the Closet ISBN: 041589414X ISBN-13(EAN): 9780415894142 Издательство: Taylor&Francis Рейтинг: Цена: 178640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.
Автор: Aiossa Elizabeth Название: The Subversive Zombie: Social Protest and Gender in Undead Cinema and Television ISBN: 1476666733 ISBN-13(EAN): 9781476666730 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Zombies have changed dramatically in the new millennium. They are no longer the comical, shuffling, mindless monsters of George Romero’s Night of the Living Dead (1968). In works such as 28 Days Later… (2002) and World War Z (2013) they are fast, rabid, and absolutely terrifying in large hordes. In Warm Bodies (2013) and In the Flesh (2013-2015), they are thoughtful, sensitive, and capable of ethics and empathy. Audiences of this modern cinematic monster have changed, too, from teenaged camp and gore enthusiasts to broader and more diverse populations around the globe.Zombie stories are continually shifting and evolving to meet fan demands, to challenge genre expectations, and to raise critical questions: What happens when society collapses? What does it mean to be human? What makes a monster? Who survives the zombie (post)apocalypse, and why? What can we learn about gender, genre, and historical context, from the protagonists of zombie films and television? Explore these critical inquires and more, through the close examination of classic and current screen narratives and their often radical representations of the living and the undead, with the support of leading theories from film, genre, and zombie studies.
Автор: Rachel Alicia Griffin, Michaela D.E. Meyer Название: Adventures in Shondaland: Identity Politics and the Power of Representation ISBN: 0813596327 ISBN-13(EAN): 9780813596327 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Невозможна поставка. Описание: Innovator Award for Edited Collection from the Central States Communication Association (CSCA) Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey’s Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, The Catch, For The People, and Station 19. Rhimes’s work is attentive to identity politics, “post-” identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes’s contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.
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