"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar... in questions of musical meaning.... B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." --Patrick McCreless
This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.
Musical Meaning and Interpretation--Robert S. Hatten, editor
Автор: Nathan Snaza Название: Animate Literacies: Literature, Affect, and the Politics of Humanism ISBN: 1478004150 ISBN-13(EAN): 9781478004158 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 106970.00 T Наличие на складе: Невозможна поставка. Описание: In Animate Literacies Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy is both constitutive of the social and used as a means to define the human. Weaving new materialism with feminist, queer, and decolonial thought, Snaza theorizes literacy as a contact zone in which humans, nonhuman animals, and nonvital objects such as chairs and paper all become active participants. In readings of classic literature by Kate Chopin, Frederick Douglass, James Joyce, Toni Morrison, Mary Shelley, and others, Snaza emphasizes the key roles that affect and sensory experiences play in literacy. Snaza upends common conceptions of literacy and its relation to print media, showing instead how such understandings reinforce dehumanizations linked to dominant imperialist, heterosexist, and capitalist definitions of the human. The path toward disrupting such exclusionary, humanist frameworks, Snaza contends, lies in formulating alternative practices of literacy and literary study that escape disciplined knowledge production.
Автор: Smith Название: Affect and American Literature in the Age of Neoliberalism ISBN: 1107095220 ISBN-13(EAN): 9781107095229 Издательство: Cambridge Academ Рейтинг: Цена: 115110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rachel Greenwald Smith`s Affect and American Literature in the Age of Neoliberalism examines the relationship between contemporary American literature and politics. Through readings of works by Paul Auster, Karen Tei Yamashita and others, Smith challenges the neoliberal notion that emotions are the property of the self.
Автор: Richardson Michael Название: Gestures of Testimony ISBN: 1501339400 ISBN-13(EAN): 9781501339400 Издательство: Bloomsbury Academic Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony asks how literature might bear witness to the tortures of a war waged against fear itself.
Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, the Bush Administration's Torture Memos, and fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels, and Janette Turner Hospital, Michael Richardson traces the workings of affect, biopower, and aesthetics to re-think literary testimony. Gestures of Testimony gives shape to a mode of affective witnessing, a reaching beyond the page in the writing of torture that reveals violent trauma - even as it embodies its veiling.
Автор: Humaira Saeed Название: Persisting Partition: Affect, Memory and Trauma in Women`s Narratives of Pakistan ISBN: 1501337424 ISBN-13(EAN): 9781501337420 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Невозможна поставка. Описание: Persisting Partition looks at the 1947 Partition of India from a new perspective: through an analysis of women's narratives of Pakistan. Historiography of this period tends to focus on the minutiae of bureaucratic processes, while literary studies appraises the efforts of fiction to represent the human costs of Partition. This study challenges this division between historiography and literary analysis, arguing that it limits any attempt to address the legacy and memorialisation of Partition.
Humaira Saeed considers the nationalist narratives that frame the nation's founding in terms of the masculinist discourses of sacrifice and heroism, rather than in terms of loss and trauma. As such, these narratives resist the effective integration of marginal voices, and Saeed proposes that tensions over how Partition is remembered and narrativized are asserted in particularly gendered ways. Persisting Partition considers how history is mediated through cultural production, as well as the potential for women’s narratives to disrupt the homogenizing effects of dominant national historiography. Through analysing a range of cultural forms—photography, feature film, fiction, and documentary—Saeed argues for a more interdisciplinary approach to the ways in which Partition and Pakistan might be narrativised.
The nineteenth century was a time of extraordinary attunement to the unspoken, the elusively present, and the subtly haunting. Quiet Testimony finds in such attunement a valuable rethinking of what it means to encounter the truth. It argues that four key writers—Emerson, Douglass, Melville, and Henry James—open up the domain of the witness by articulating quietude’s claim on the clamoring world. The premise of quiet testimony responds to urgent questions in critical theory and human rights. Emerson is brought into conversation with Levinas, and Douglass is considered alongside Agamben. Yet the book is steeped in the intellectual climate of the nineteenth century, in which speech and meaning might exceed the bounds of the recognized human subject. In this context, Melville’s characters could read the weather, and James’s could spend an evening with dead companions. By following the path by which ostensibly unremarkable entities come to voice, Quiet Testimony suggests new configurations for ethics, politics, and the literary.
Автор: Gunther, Lena-simone Название: War experience and trauma in american literature ISBN: 3631655118 ISBN-13(EAN): 9783631655115 Издательство: Peter Lang Рейтинг: Цена: 82810.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Walt Whitman wrote: «The real war will never get into the books.» To this day, however, American soldier-authors write about their war and translate traumatic experiences into language accessible to the reader. Veterans of the recent Iraq war do not differ here. Joining the post-draft American military, the selected soldier-authors are thrust into a conflict which soon exceeded governmental, military and public expectations. Focusing on core elements which link the selected military memoirs of Nathaniel Fick, Colby Buzzell, Clint Van Winkle, John Crawford and Matt Gallagher together, this book follows the soldier-authors’ process of soldierization, their loss of innocence, moral responsibility and, finally, coping mechanisms for traumatic experiences sustained in combat.
Автор: Douglas Dowland Название: Weak Nationalisms: Affect and Nonfiction in Postwar America ISBN: 1496215486 ISBN-13(EAN): 9781496215482 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25080.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Weak Nationalisms explores the complex and dynamic ways in which emotions shape the post–World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole. Douglas Dowland employs a methodology that combines innovations in affect theory with traditional close reading practices to examine nonfiction texts by Simone de Beauvoir, John Steinbeck, Charles Kuralt, and Sarah Vowell and present the ways these writers negotiate nationalism in the United States. By reading these texts for their affects, Dowland makes visible the otherwise unseen rhetorical strategies that buttress the literary construction of the United States in contemporary nonfiction and articulates the function of synecdoche in establishing "weak nationalisms." Dowland examines how, as they write about otherwise plain objects in order to evoke and describe the entire nation, these authors both embrace core tenets of liberalism in the United States and resist the hierarchies often associated with nationalism.
In showcasing how synecdoche creates affective intensities, Weak Nationalisms challenges a popular conception in literary history that nonfiction narratives of the United States merely reflect the period of their production, renews questions literary criticism asks of texts, and offers new ways in which close reading answers these questions. Further, Dowland broadens the scope of close reading with affect theory and thereby enlivens the study of texts that literary criticism might otherwise dismiss as mere receptacles of strong nationalism. In the end, this book calls upon criticism to deal more attentively to the affects of texts, regardless of their genre, and to do so in a way that appreciates the open-ended, plural, analogic nature of the emotions.
Автор: Meera Atkinson Название: The Poetics of Transgenerational Trauma ISBN: 150133087X ISBN-13(EAN): 9781501330872 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The first decades of the twenty-first century have been beset by troubling social realities: coalition warfare, global terrorism and financial crisis, climate change, epidemics of family violence, violence toward women, addiction, neo-colonialism, continuing racial and religious conflict. While traumas involving large-scale or historical violence are widely represented in trauma theory, familial trauma is still largely considered a private matter, associated with personal failure. This book contributes to the emerging field of feminist trauma theory by bringing focus to works that contest this tendency, offering new understandings of the significance of the literary testimony and its relationship to broader society.
The Poetics of Transgenerational Trauma adopts an interdisciplinary approach in examining how the literary testimony of familial transgenerational trauma, with its affective and relational contagion, illuminates transmissive cycles of trauma that have consequences across cultures and generations. It offers bold and insightful readings of works that explore those consequences in story-Alison Bechdel's Fun Home: A Family Tragicomic (2006), Helene Cixous's Hyperdream (2009), Marguerite Duras's The Lover (1992), Pat Barker's Regeneration Trilogy (1999), and Alexis Wright's Carpentaria (2006) and The Swan Book (2013), concluding that such testimony constitutes a fundamentally feminist experiment and encounter. The Poetics of Transgenerational Trauma challenges the casting of familial trauma in ahistorical terms, and affirms both trauma and writing as social forces of political import.
Автор: Jean-Michel Ganteau, Susana Onega Название: Trauma and Romance in Contemporary British Literature ISBN: 0415661072 ISBN-13(EAN): 9780415661072 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Drawing on a variety of theoretical approaches including trauma theory, psychoanalysis, genre theory, narrative theory, theories of temporality, cultural theory, and ethics, this book breaks new ground in bringing together trauma and romance, two categories whose collaboration has never been addressed in such a systematic and in-depth way. The volume shows how romance strategies have become an essential component of trauma fiction in general and traumatic realism in particular. It brings to the fore the deconstructive powers of the darker type of romance and its adequacy to perform traumatic acting out and fragmentation. It also zooms in on the variations on the ghost story as medium for the evocation of trans-generational trauma, as well as on the therapeutic drive of romance that favors a narrative presentation of the working-through phase of trauma. Chapters explore various acceptations and extensions of psychic trauma, from the individual to the cultural, analyzing narrative texts that belong in various genres from the ghost story to the misery memoir to the graphic novel. The selection of primary sources allows for a review of leading contemporary British authors such as Peter Ackroyd, Martin Amis, Ian McEwan, Salman Rushdie, Graham Swift, Sarah Waters and Jeanette Winterson, and of those less canonical such as Jackie Kay, Alan Moore and Dave Gibbons, Justine Picardie, Peter Roche and Adam Thorpe.
Offering a thoroughly new approach to American literature, this book examines the literary representation of smell regarding its impact on establishing and subverting power structures. Although smell carries an enormous affective potential, it has been largely – but unjustly – overlooked in literary and cultural studies. Through her innovative close readings of works by authors such as Melville, Whitman, Equiano, Wilkins Freeman, Faulkner, Morrison, or Ellison, the author shows how smell stereotypes are used to discriminate against people and how odor references serve to undermine oppressive power structures. For this purpose, the author traces the cultural history of odor and combines insights from fields such as critical race, gender, intersectionality, trauma, and affect theories.
Автор: Douglas Dowland Название: Weak Nationalisms: Affect and Nonfiction in Postwar America ISBN: 1496200500 ISBN-13(EAN): 9781496200501 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 45980.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Weak Nationalisms explores the complex and dynamic ways in which emotions shape the post–World War II writing of the United States and argues that reading these narratives for their affects is to read for the emotional work that takes place between the part and the whole. Douglas Dowland employs a methodology that combines innovations in affect theory with traditional close reading practices to examine nonfiction texts by Simone de Beauvoir, John Steinbeck, Charles Kuralt, and Sarah Vowell and present the ways these writers negotiate nationalism in the United States. By reading these texts for their affects, Dowland makes visible the otherwise unseen rhetorical strategies that buttress the literary construction of the United States in contemporary nonfiction and articulates the function of synecdoche in establishing "weak nationalisms." Dowland examines how, as they write about otherwise plain objects in order to evoke and describe the entire nation, these authors both embrace core tenets of liberalism in the United States and resist the hierarchies often associated with nationalism.
In showcasing how synecdoche creates affective intensities, Weak Nationalisms challenges a popular conception in literary history that nonfiction narratives of the United States merely reflect the period of their production, renews questions literary criticism asks of texts, and offers new ways in which close reading answers these questions. Further, Dowland broadens the scope of close reading with affect theory and thereby enlivens the study of texts that literary criticism might otherwise dismiss as mere receptacles of strong nationalism. In the end, this book calls upon criticism to deal more attentively to the affects of texts, regardless of their genre, and to do so in a way that appreciates the open-ended, plural, analogic nature of the emotions.
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