Автор: Monaco, James Название: How to Read a Film ISBN: 0195321057 ISBN-13(EAN): 9780195321050 Издательство: Oxford Academ Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Richard Gilman referred to How to Read a Film as simply the best single work of its kind. And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way. Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an Essential Library: One Hundred Books About Film and Media You Should Read and One Hundred Films You Should See. As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
Ernst Lubitsch, the great author of Hollywood comedy and pioneer of such genres as the sophisticated romantic comedy, the musical, and the screwball comedy, is a relatively overlooked figure in mainstream film theory. In this collection, renowned world thinkers and philosophers position Lubitsch as the premium director of subversive cinema, reflecting on his attitude toward love and politics which correspond to contemporary issues.Followers of the Hegelian, Marxist, Freudian, Lacanian, and Deleuzian traditions discuss thephilosophical, political, and ethical dimensions of Lubitsch's late Hollywood work. They focus on love as stealing, the ethics of style, and comedy in times of austerity in the director's masterpiece, Trouble in Paradise (1932); answer the question of why comedy is always polygamous; discuss links between masochism, melancholia, and ideology in Ninotchka(1939); celebrate the ethical gesture of comedy in To Be or Not to Be (1942); and promote the revolutionary comic spirit of Lubitsch's last directorial effort, Cluny Brown (1946). These essays' witty, subversive, and provocative approaches highlight Lubitsch's unique understanding of love, sex, comedy, and politics and idiosyncratic conception of totalitarian"nightmares" and capitalistic "paradise," countering the non-dialectic and politically correct discourse of mainstream and independent cinema today.
Автор: Sitton Robert Название: Lady in the Dark: Iris Barry and the Art of Film ISBN: 0231165781 ISBN-13(EAN): 9780231165785 Издательство: Wiley Рейтинг: Цена: 23230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.
In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.
Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bunuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.
Автор: Combs C. Scott Название: Deathwatch: American Film, Technology, and the End of Life ISBN: 0231163479 ISBN-13(EAN): 9780231163477 Издательство: Wiley Рейтинг: Цена: 29570.00 T Наличие на складе: Невозможна поставка. Описание: The first book to analyze American cinema`s long history of representing death on screen, Deathwatch considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. Through readings of attractions-based cinema, narrative films, early sound cinema, and films using voice-over or images of medical technology, C. Scott Combs connects the slow or static process of dying to formal film innovation throughout the twentieth century. He looks at Thomas Edison`s Electrocuting an Elephant (1903), D. W. Griffith`s The Country Doctor (1909), John Ford`s How Green Was My Valley (1941), Billy Wilder`s Sunset Boulevard (1950), Stanley Kubrick`s 2001: A Space Odyssey (1968), and Clint Eastwood`s Million Dollar Baby (2004), among other films, to argue against the notion that film cannot capture the end of life. Instead, he shows how the act of dying in film occurs more than once and in more than one place, understanding death in cinema as constantly in flux, wedged between technological precision and embodied perception.
Автор: O`Brien Название: Classical Masculinity and the Spectacular Body on Film ISBN: 1137384700 ISBN-13(EAN): 9781137384706 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of manliness and the exaggerated male form.
Автор: Kahana, Jonathan; Musser, Charles Название: The Documentary Film Reader ISBN: 019973965X ISBN-13(EAN): 9780199739653 Издательство: Oxford Academ Рейтинг: Цена: 82370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.
Автор: Suchenski Richard I. Название: Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film ISBN: 0190274115 ISBN-13(EAN): 9780190274115 Издательство: Oxford Academ Рейтинг: Цена: 36420.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.
Автор: Bordwell, David Название: On the History of Film Style ISBN: 0674634292 ISBN-13(EAN): 9780674634299 Издательство: Wiley Рейтинг: Цена: 43050.00 T Наличие на складе: Поставка под заказ. Описание: The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of innovation. This book shows how film scholars have attempted to explain stylistic continuity and change across the history of cinema.
Автор: Sobchack, Vivian (professor Of Film Studies, Unive Название: Screening Space: The American Science Fiction Film ISBN: 081352492X ISBN-13(EAN): 9780813524924 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 28460.00 T Наличие на складе: Нет в наличии. Описание: This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists.
Автор: Ashkenazi Ofer Название: Weimar Film and Modern Jewish Identity ISBN: 0230341365 ISBN-13(EAN): 9780230341364 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous `German-Jewish symbiosis` before the rise of Nazism, as well as a new framework for the understanding of the German `national` film in the years leading to Hitler`s regime.
Автор: Williams Michael Название: Film Stardom, Myth and Classicism ISBN: 0230355447 ISBN-13(EAN): 9780230355446 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.
Автор: Vaughan, Hunter (Author) Название: Where Film Meets Philosophy ISBN: 0231161328 ISBN-13(EAN): 9780231161329 Издательство: Wiley Рейтинг: Цена: 97150.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The formal techniques two classic French filmmakers developed to explore cinema`s philosophical potential.
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