Oceanography for Meteorologists, Sverdrup Harald Ulrik
Автор: Baath Albert Ulrik Название: Fran Vikingatiden NY Foljd Fornnordiska Sagor - Scholar`s Choice Edition ISBN: 1296289249 ISBN-13(EAN): 9781296289249 Издательство: Неизвестно Рейтинг: Цена: 29120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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Автор: Dooley, Mike Pilegaard, Ulrik Название: Forbidden lego ISBN: 1593271379 ISBN-13(EAN): 9781593271374 Издательство: Random House (USA) Рейтинг: Цена: 15290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "Forbidden Lego" deals with computers/software.
Автор: Schierup Carl-Ulrik, Jorgensen Martin Bak Название: Politics of Precarity: Migrant Conditions, Struggles and Experiences ISBN: 1608468402 ISBN-13(EAN): 9781608468409 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A study of precarity as both a condition and a mobilizing force for resistance in migrant communities across the globe
Автор: Andersen Christian Ulrik, Pold Soren Bro Название: The Metainterface: The Art of Platforms, Cities, and Clouds ISBN: 0262037947 ISBN-13(EAN): 9780262037945 Издательство: MIT Press Рейтинг: Цена: 33860.00 T Наличие на складе: Невозможна поставка. Описание:
How the interface has moved from the PC into cultural platforms, as seen in a series of works of net art, software art and electronic literature.
The computer interface is both omnipresent and invisible, at once embedded in everyday objects and characterized by hidden exchanges of information between objects. The interface has moved from office into culture, with devices, apps, the cloud, and data streams as new cultural platforms. In The Metainterface, Christian Ulrik Andersen and Soren Bro Pold examine the relationships between art and interfaces, tracing the interface's disruption of everyday cultural practices. They present a new interface paradigm of cloud services, smartphones, and data capture, and examine how particular art forms -- including net art, software art, and electronic literature -- seek to reflect and explore this paradigm.
Andersen and Pold argue that despite attempts to make the interface disappear into smooth access and smart interaction, it gradually resurfaces; there is a metainterface to the displaced interface. Art can help us see this; the interface can be an important outlet for aesthetic critique. Andersen and Pold describe the "semantic capitalism" of a metainterface industry that captures user behavior; the metainterface industry's disruption of everyday urban life, changing how the city is read, inhabited, and organized; the ways that the material displacement of the cloud affects the experience of the interface; and the potential of designing with an awareness of the language and grammar of interfaces.
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