The Good Housekeeping Guide to Musical Enjoyment, Marek George Richard

Автор: Woszczek, Marek
Название: Platonic wholes and quantum ontology
ISBN: 3631666292 ISBN-13(EAN): 9783631666296
Издательство: Peter Lang
Рейтинг:
Цена: 82810.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of the book is a reconsideration of the internalistic model of composition of the Platonic type, more radical than traditional, post-Aristotelian externalistic compositionism, and its application in the field of the ontology of quantum theory. At the centre of quantum ontology is nonseparability. Quantum wholes are atemporal wholes governed by internalistic logic and they are primitive, global physical entities, requiring an extreme relativization of the fundamental notions of mechanics. That ensures quantum theory to be fully consistent with the relativistic causal structure, without any spacelike nonlocality and time asymmetry, and makes the quantum blockworld ontology inevitable. It seems that the more internally relativized physics is, the more Platonic it becomes.

Автор: Haltof, Marek
Название: A to z of polish cinema
ISBN: 0810876175 ISBN-13(EAN): 9780810876170
Издательство: Rowman & Littlefield Publishers
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Цена: 63360.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1902, scientist and inventor Kazimierz Pr szynski made the first Polish narrative film, The Return of a Merry Fellow (Powr t Birbanta). Since then, the Polish film industry has produced a diverse body of work, ranging from patriotic melodramas and epic adaptations of the national literary canon to Yiddish cinema and films portraying the corrupted side of communism. Poland has produced several internationally known films, including Andrzej Wajda's war trilogy, A Generation (1955), Kanal (1957), and Ashes and Diamonds (1958), Roman Polanski's Knife in the Water (1962), and Andrzej Munk's The Passenger (1963). Often performing specific political and cultural duties for their nation, Polish filmmakers were well aware of their role as educators, entertainers, social activists, and political leaders. The A to Z of Polish Cinema fills the gap in film scholarship, presenting an extensive factual survey of Polish film. Through its chronology, introductory essay, appendixes, bibliography, and cross-referenced dictionary entries on films, directors, actors, producers, and film institutions, a balanced picture of the richness of Polish cinema is presented. Readers with professional interest in cinema will welcome this new work, which would be useful for any senior undergraduate or post-graduate courses in film studies.