Vescia Monique Depression Glass: Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Willia 9781138812536

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Автор: Vescia Monique
Название: Depression Glass: Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Willia
ISBN: 9781138812536
Издательство: Taylor&Francis
Классификация:

Литературоведение: с 1900 г.

Литературоведение: поэзия и поэты

ISBN-10: 1138812536
Обложка/Формат: Paperback
Страницы: 174
Вес: 0.27 кг.
Дата издания: 09.06.2015
Серия: Literary criticism and cultural theory
Язык: English
Иллюстрации: 18 illustrations, black and white
Размер: 224 x 150 x 10
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literature: history & criticism, LITERARY CRITICISM / General
Подзаголовок: Documentary photography and the medium of the camera-eye in charles reznikoff, george oppen, and william carlos williams
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This interdisciplinary study examines the interrelations between the documentary poetics of Objectivism in the United States during the 1930s. Focusing on three volumes published by the Objectivist Press in 1934--Charles Reznikoffs Testimony, George Oppens Discrete Series, and William Carlos Williams Collected Poems, 1921-1931--the book examines both photographic and linguistic images, along with criticism, correspondence, transcripts of interviews and lectures, contemporary periodicals and other documentary sources from these years. Reznikoff, Oppen, and Williams each constructed textual objects that aspired to the condition of the photograph, and the successes as well as the failures of that aspiration are the subject of this book. Juxtaposing selected works by these three poets with the camera work of Walker Evans, Lewis Hine, and Alfred Stieglitz, Depression Glass also exposes some of the fundamental affinities between documentary photography and modern poetry as forms of expression. This study challenges some of the critical commonplaces of American modernism by demonstrating how these poets comprised an alternative tradition dedicated to a project of social realism that would later become the exclusive territory of prose.

Depression Glass: Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Willia, Vescia Monique