Автор: Williams Bruce C. Название: God Is My Co-Pilot; And That`s the Problem ISBN: 1498417434 ISBN-13(EAN): 9781498417433 Издательство: Неизвестно Рейтинг: Цена: 11490.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Williams Bruce C. Название: Everyday Devotions from God`s Everlasting Word ISBN: 1644161478 ISBN-13(EAN): 9781644161470 Издательство: Неизвестно Рейтинг: Цена: 19270.00 T Наличие на складе: Невозможна поставка. Описание:
What do a refrigerator, a crumpled piece of paper, horseshoes and hand grenades, and a bicycle chain master link have in common? Each of these items can reveal an aspect of God's love, protection, or provision that we don't recognize. Every day of our lives we encounter situations that can remind us that there is a God Who loves us and wants what is best for us. Everyday items that we have used or seen countless times can reinforce the truths that are contained in the Bible-truths that have stood the test of time and the criticism of man.
My prayer is that the devotions contained in this book will encourage, inspire, and lift your spirits. My hope is that these devotions will draw you into a closer walk with God the Father and His Son, Jesus Christ.
I also hope that this devotional will encourage you take a moment and look for God's handiwork in the everyday occurrences of life. His creation is a masterpiece of perfection that we often overlook. May this book bless you every day as you seek insight from God's everlasting Word.
William Carlos Williams first spoke to the issue of form shortly after the publication of "The Wanderer" in 1914--his move to vers libre--and didn't stop talking about form until his death in 1963. His poetry shows, decade after decade, persistent formal innovation. Bruce Holsapple's The Birth of the Imagination relates the form, structure, and content of Williams's poetry to demonstrate how his formal concerns bear upon the content, namely, how form testifies to a vision that the style verifies. Tracing the development of Williams's work from Poems in 1909 through The Wedge in 1944, Holsapple aligns emerging aesthetic concepts and procedures with shifts in Williams's writing to disclose how meaning becomes refigured, affecting what the poems "say." While focusing primarily on Williams's experimental works, including the novellas, this innovative study charts how significant features in Williams's poetry result from specific imaginative practices.
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