In this book, names of real people were changed in order to protect those who might otherwise be offended by the unguarded and absurdist commentary of its authors. Despite this fact, it is the fragility and elasticity of the writers superegos that is tested as they vacillate from personal registers to intellectual strata. At once a cis-avant-gardists exploration of anti-art and a poets claim to some weak form of autonomy, CMOK delights in both the pleasures of casual email and the sublime realizations of Jacques Lacans theory of sexuation. CMOK is a hybrid genre and a quest into the real of virtuality that defies the literary standards. Its authors, who never met, answer one anothers basic needs and questions, separated as they are by time zones and the ocean, but not culturally or spiritually.
