Leni Riefenstahl and Olympia, Graham, Cooper C (Author)

Автор: Antonsson
Название: The Praxiteles Marble Group in Olympia
ISBN: 1107662974 ISBN-13(EAN): 9781107662971
Издательство: Cambridge Academ
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Цена: 27450.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 1937, this book is a critical examination of the Hermes and Dionysos of Praxiteles. Antonsson suggests a hypothesis on the original arrangement of the statuary group in the light of red figure vases, numismatic images, later imitations and reconstructions of varying quality.

Автор: Scott
Название: Delphi and Olympia
ISBN: 1107671280 ISBN-13(EAN): 9781107671287
Издательство: Cambridge Academ
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Цена: 49630.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Investigates the physical remains of both Delphi and Olympia to show how different visitors interacted with the sacred spaces during the archaic and classical periods; the oracle and the games being but two of the many activities ongoing at both sites.

Автор: Luba Freedman
Название: The Revival of the Olympian Gods in Renaissance Art
ISBN: 0521815762 ISBN-13(EAN): 9780521815765
Издательство: Cambridge Academ
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Цена: 81310.00 T
Наличие на складе: Невозможна поставка.
Описание: In this study, Luba Freedman examines the revival of the twelve Olympian deities in the visual arts of sixteenth-century Italy. Renaissance representation of the Olympians as autonomous figures in paintings, sculpture and drawing were not easily integrated into a Christian society. While many patrons and artists venerated the ancient art works for their artistic qualities, others, nourished by religious beliefs, felt compelled to adapt ancient representations to Christian subjects.

These conflicting attitudes influenced the representation of deities intentionally made all'antica, often resulting in an interweaving of classical and non-classical elements that is alien to the original, ancient sources. This study, the first devoted to this problem, highlights the problematic framework of the display and reception of ancient art during the Cinquecento. It offers new insights into the uneven absorption of the classical heritage during the early modern era.