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Home/Land: Women, Citizenship, Photographies, Arnold Marion, Meskimmon Marsha


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Цена: 86730.00T
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Автор: Arnold Marion, Meskimmon Marsha
Название:  Home/Land: Women, Citizenship, Photographies
ISBN: 9781781382806
Издательство: Liverpool University Press
Классификация:
ISBN-10: 1781382808
Обложка/Формат: Hardback
Страницы: 352
Вес: 0.92 кг.
Дата издания: 01.07.2016
Язык: English
Иллюстрации: 115 black & white illustrations, 54 colour illustrations
Размер: 259 x 252 x 33
Читательская аудитория: General (us: trade)
Подзаголовок: Women, citizenship, photographies
Рейтинг:
Поставляется из: Англии
Описание: Home/Land: Women, Citizenship, Photographies demonstrates how women have used photographic practices to find places for themselves to belong as citizens, denizens, exiles or guests, within or beyond the nation as currently conceived.

Women, the Arts and Globalization: Eccentric Experience

Автор: Meskimmon Marsha, Rowe Dorothy
Название: Women, the Arts and Globalization: Eccentric Experience
ISBN: 0719088755 ISBN-13(EAN): 9780719088759
Издательство: NBN International
Цена: 91520.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contemporary art is embedded within the structures that characterise globalization - from the transnational circulation of artworks as commodities to the cross-cultural exchange of images, objects and ideas - and the multiple and mobile territories described by these structures are always, already gendered. Women, the Arts and Globalization: Eccentric experience is the first anthology to address these interlinked issues, bringing transnational feminist theory and criticism together with women's art practices in a coherent and sustained discussion of the legacy and trajectory of aesthetics, gender and identity on a global scale. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Women, the Arts and Globalization offers a multifaceted approach to this topic, from a variety of perspectives and positions; some texts argue for paradigm shifts in disciplines, fields or methodologies, others provide first-hand accounts of making art as a border-crossing activity. Some essays take a dialogic, interview form, whilst others use a micro-level mode of 'close reading' to demonstrate how particular works of art can articulate transnational and gendered aesthetics. The book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.


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