Beauty and the End of Art: Wittgenstein, Plurality and Perception 9781474255752

Варианты приобретения

Цена: 137280.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 201 шт.
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Sonia Sedivy
Название: Beauty and the End of Art: Wittgenstein, Plurality and Perception
ISBN: 9781474255752
Издательство: Bloomsbury Academic
Классификация:

Аналитическая философия и логический позитивизм

Философия: Логика

ISBN-10: 1474255752
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.56 кг.
Дата издания: 21.04.2016
Серия: Philosophy
Язык: English
Иллюстрации: Black & white illustrations
Размер: 164 x 241 x 26
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Philosophy,Analytical philosophy & Logical Positivism,Philosophy: aesthetics, PHILOSOPHY / Aesthetics,PHILOSOPHY / Movements / Analytic
Основная тема: Philosophy,PHILOSOPHY / Aesthetics,PHILOSOPHY / Movements / Analytic,Philosophy: aesthetics,Analytical philosophy & Logical Positivism
Подзаголовок: Wittgenstein, plurality and perception
Рейтинг:
Поставляется из: Англии
Описание: Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgensteins later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible.

Wittgensteins subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared higher-order value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the worlds perceptible presence.

Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.

Дополнительное описание: Introduction Part I. Loss and Reaffirmation 2. Pluralism as the End of Art 3. Rupture and the Relevance of Beauty 4. Beauty and Pliant Consciousness, Individuality, Visible Permission Part II. Art Practices and the Value of Perceptible Presence

Beauty and the End of Art: Wittgenstein, Plurality and Perception, Sonia Sedivy