Pieces of the Musical World: Sounds and Cultures is a fieldwork-based ethnomusicology textbook that introduces a series of musical worlds each through a single "piece." It focuses on a musical sound or object that provides a springboard from which to tell a story about a particular geographic region, introducing key aspects of the cultures in which it is embedded, contexts of performance, the musicians who create or perform it, the journeys it has travelled, and its changing meanings.
A collaborative venture by staff and research ethnomusicologists associated with the Department of Music at SOAS, University of London, Pieces of the Musical World is organized thematically. Three broad themes: "Place", "Spirituality" and "Movement" help teachers to connect contemporary issues in ethnomusicology, including soundscape studies, music and the environment, the politics of identity, diaspora and globalization, and music and the body. Each of the book's fourteen chapters highlights a single musical "piece" broadly defined, spanning the range of "traditional," "popular", "classical" and "contemporary" musics, and even sounds which might be considered "not music."
Primary sources and a web site hosting recordings with interactive listening guides, a glossary of musical terms and interviews all help to create a unique and dynamic learning experience of our musical world.
Автор: Pisani Michael V. Название: Music for the Melodramatic Theatre in Nineteenth-Century London and New York ISBN: 1609382307 ISBN-13(EAN): 9781609382308 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 44350.00 T Наличие на складе: Невозможна поставка. Описание: Throughout the nineteenth century, people heard more music in the theatre--accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller--than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music--in addition to song--was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Автор: Straus Название: Twelve-Tone Music in America ISBN: 1107637317 ISBN-13(EAN): 9781107637313 Издательство: Cambridge Academ Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Twelve-tone composition has played an important role in American music from 1927 to the present day. Through close readings of many twelve-tone works, including pieces by Copland, Babbitt, and Carter, this book places twelve-tone music in a larger theoretical and historical context, and strips away the many myths surrounding it.
Автор: Edited by Allan F. Moore Название: Analyzing Popular Music ISBN: 052177120X ISBN-13(EAN): 9780521771207 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself.
Автор: Powers Harold Название: Studies in Music History: Essays for Oliver Strunk ISBN: 0691626405 ISBN-13(EAN): 9780691626406 Издательство: Wiley Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A wide variety of essays by colleagues and former students reflect Professor Strunk`s particular role as music historian, teacher, and a pre-eminent musicologist. Donald Grout provides the introduction and outlines the problems confronting musicology today. Other essays are devoted to early Christian music, Renaissance music, early Italian opera; A
Автор: Busby Название: Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern ISBN: 1108065252 ISBN-13(EAN): 9781108065252 Издательство: Cambridge Academ Рейтинг: Цена: 32730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The writer, composer and organist Thomas Busby (1754-1838) published this three-volume work in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life through history. The anecdotes are presented across the three volumes as a delightful potpourri, interspersed with pen portraits of eminent musicians.
Автор: Busby Название: Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern ISBN: 1108065260 ISBN-13(EAN): 9781108065269 Издательство: Cambridge Academ Рейтинг: Цена: 30630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The writer, composer and organist Thomas Busby (1754-1838) published this three-volume work in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life through history. The anecdotes are presented across the three volumes as a delightful potpourri, interspersed with pen portraits of eminent musicians.
Автор: Busby Название: Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern ISBN: 1108065279 ISBN-13(EAN): 9781108065276 Издательство: Cambridge Academ Рейтинг: Цена: 30630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The writer, composer and organist Thomas Busby (1754-1838) published this three-volume work in 1825. Gossipy, informative and highly entertaining, it yields all manner of insights into musical life through history. The anecdotes are presented across the three volumes as a delightful potpourri, interspersed with pen portraits of eminent musicians.
Название: Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850-1920 ISBN: 0226292169 ISBN-13(EAN): 9780226292168 Издательство: Wiley Рейтинг: Цена: 31680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Delving into the archives that document cross-cultural interactions between America and Germany, the author retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors and uncovers the history of the musician as a cultural symbol of German cosmopolitanism.
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman's style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman's signature soundtrack-style. Through examinations of Bergman's biographical links to music, the role of music, sound effects, silence, and voice, and Bergman's working methods with sound technicians, mixers, and editors, this book argues that Bergman's soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.
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