Shakespeare`s Drama of Exile, Kingsley-Smith

Автор: Burnett
Название: Constructing Monsters in Shakespeare`s Drama and Early Modern Culture
ISBN: 0333914341 ISBN-13(EAN): 9780333914342
Издательство: Springer
Рейтинг:
Цена: 139750.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tracing the metaphorical significance of "monstrous" forms across a range of early modern exhibition spaces - fairground displays, "cabinets of curiosity" and court entertainments - this text argues for the crucial place of the "monster" in the early modern imagination.

Автор: Kiernan Pauline
Название: Shakespeare`s Theory of Drama
ISBN: 0521633583 ISBN-13(EAN): 9780521633581
Издательство: Cambridge Academ
Рейтинг:
Цена: 40120.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This book, first published in 1996, provides a lively, readable but scholarly examination of works from different stages of Shakespeare`s career and explores what he wanted his drama to do and why.

Автор: Karremann
Название: The Drama of Memory in Shakespeare`s History Plays
ISBN: 1107117585 ISBN-13(EAN): 9781107117587
Издательство: Cambridge Academ
Рейтинг:
Цена: 95040.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers fresh readings of Shakespeare`s history plays through the development of an innovative vocabulary and methodology for analysing Shakespeare`s dramatic devices. Situated at the intersection of memory studies, performance studies and historical formalism, this book will appeal to researchers and upper-level students in these subjects.

Автор: Davies, Anthony
Название: Filming Shakespeare`s Plays : The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa
ISBN: 0521399130 ISBN-13(EAN): 9780521399135
Издательство: Cambridge Academ
Рейтинг:
Цена: 44350.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema`s dramatic language in the film adaptations of Shakespeare`s plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to film representation.