Partisan Politics, Narrative Realism, and the Rise of the British Novel, Carnell
Автор: Beaumont Название: Contemporary British Fiction and the Cultural Politics of Disenfranchisement ISBN: 1137393718 ISBN-13(EAN): 9781137393715 Издательство: Springer Рейтинг: Цена: 69870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: By examining the representation of urban space in contemporary British fiction, this book argues that key to the political left`s strategy was a model of action which folded politics into culture and elevated disenfranchisement to the status of a political principle.
Автор: Scanlan Margaret Название: Traces of Another Time: History and Politics in Postwar British Fiction ISBN: 0691605254 ISBN-13(EAN): 9780691605258 Издательство: Wiley Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Is the historical novel the outmoded genre that some people imagine--form inseparable from romanticism, nationalism, and the nineteenth century? In this stimulating volume, Margaret Scanlan answers a convincing "no," as she demonstrates the relevance of historical novels by well-known figures such as Anthony Burgess, John le Carr, Graham Greene, Do
Автор: Frus Название: The Politics and Poetics of Journalistic Narrative ISBN: 052110274X ISBN-13(EAN): 9780521102742 Издательство: Cambridge Academ Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between `journalism` and `fiction` is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it `makes` reality.
Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude theObscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.
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