Pippin Robert B. After the Beautiful: Hegel and the Philosophy of Pictorial Modernism 9780226325583

Варианты приобретения

Цена: 20060T
Кол-во:
о цене
Наличие: Отсутствует.
Возможна поставка под заказ. Дата поступления на склад уточняется после оформления заказа

Заказ пока невозможен

в Мои желания

Автор: Pippin Robert B.
Название: After the Beautiful: Hegel and the Philosophy of Pictorial Modernism (Роберт Б. Пиппин: В погоне за прекрасным. Гегель и философия живописного модернизма)
Издательство: Wiley
Классификация:

Общие вопросы искусства

История Европы

История Азии

История нового времени до 20 века: с 1700 по 1900

История 20 века: с 1900 по 2000

Послевоенная история 20 века: с 1945 по 2000

Социальная история и история культуры

Колониализм и империализм

Западная философия: с 1600 до 1900

Философия: Логика

Городские общины

ISBN: 022632558X
ISBN-13(EAN): 9780226325583
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.264 кг.
Дата издания: 21.10.2015
Язык: English
Размер: 155 x 229 x 35
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Англии
Описание: In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility--the expression of a distinct collective self-understanding that develops through historical time. Hegels approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as douard Manet and Paul C zanne through Hegels lens, does what Hegel never had the chance to do.

While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art--he famously asserted--was a thing of the past, no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegels position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegels aesthetic approach in the path-breaking works of Manet, the grandfather of modernism, drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at C zanne, the father of modernism, this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegels account of both modernity and art--Martin Heidegger.
Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, Pippin Robert B.