Fuhr Michael Globalization and Popular Music in South Korea: Sounding Out K-Pop 9781138840010

Варианты приобретения

Цена: 158230.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 261 шт.
При оформлении заказа до: 2025-08-18
Ориентировочная дата поставки: конец Сентября - начало Октября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Fuhr Michael
Название: Globalization and Popular Music in South Korea: Sounding Out K-Pop
ISBN: 9781138840010
Издательство: Taylor&Francis
Классификация:

Теория музыки и музыковедение

Музыка: стили и жанры

Массовая культура

ISBN-10: 1138840017
Обложка/Формат: Hardback
Страницы: 270
Вес: 0.51 кг.
Дата издания: 02.07.2015
Серия: Routledge studies in popular music
Язык: English
Иллюстрации: 8 tables, black and white; 8 line drawings, black and white; 11 halftones, black and white
Размер: 238 x 158 x 20
Читательская аудитория: Undergraduate
Ключевые слова: Popular culture, MUSIC / Ethnomusicology,MUSIC / Genres & Styles / Pop Vocal,SOCIAL SCIENCE / Popular Culture
Подзаголовок: Sounding out k-pop
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: This book offers an in-depth study of the globalization of contemporary South Korean idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political, economic, and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s, which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical power relations, and the role of the imaginary other in K-Pop production and consumption, relating them to the specific aesthetic dimensions and material conditions of K-Pop stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics, with transnational music production circuits, and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide, intermingle, and counteract with each other and in which the tension between both of these poles is played out musically, visually, and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic, musicological, and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology, anthropology, and cultural studies, this book will also be of interest to those studying East Asian popular culture, music globalization, and popular music.

Globalization and Popular Music in South Korea: Sounding Out K-Pop, Fuhr Michael