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Vermeer`s Family Secrets: Genius, Discovery, and the Unknown Apprentice, Binstock Benjamin
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Цена:
47970.00T
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Склад Англия: 4 шт. Склад Америка: 164 шт.
При оформлении заказа до:
2025-08-18
Ориентировочная дата поставки:
конец Сентября - начало Октября
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Автор:
Binstock Benjamin
Название:
Vermeer`s Family Secrets: Genius, Discovery, and the Unknown Apprentice
ISBN:
9780415861335
Издательство:
Taylor&Francis
Классификация:
Монографии о художниках, по искусству
ISBN-10: 0415861330
Обложка/Формат: Paperback
Страницы: 456
Вес: 0.85 кг.
Дата издания: 29.09.2015
Язык: English
Иллюстрации: 91 illustrations, color; 133 illustrations, black and white
Размер: 181 x 255 x 28
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: The arts: general issues, ART / History / General,SOCIAL SCIENCE / Media Studies
Подзаголовок: Genius, discovery, and the unknown apprentice
Ссылка на Издательство:
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Поставляется из: Европейский союз
Описание: Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeers Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeers work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer’s life that Binstock brings to bear on Vermeer’s art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeers oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output. Like Poes purloined letter, Vermeers secrets are sometimes out in the open where everyone can see them. Benjamin Binstock shows us where to look. Piecing together evidence, the tools of art history, and his own intuitive skills, he gives us for the first time a history of Vermeers work in light of Vermeers life. On almost every page of Vermeers Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeers Family Secrets is the final one: in response to inconsistencies in technique, materials, and artistic level, Binstock posits that several of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the books many pleasures.
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